Alex Claude

A depiction of the lead-up to the 1995 assassination of Israeli Prime Minister Yitzhak Rabin through the worldview of his assassin, Yigal Amir.

A Tramway in Jerusalem is a situation comedy that juxtaposes stories and human situations in the context of the current Israeli Palestinian society in 2018. In Jerusalem the tramway connects several neighbourhoods, from East to West, recording their variety and differences.

Gitai pays homage to Albert Camus and explores the return to Palestinian villages while interjecting texts by Izhar Smilansky, Emile Habibi, Mahmoud Darwish, and Amira Hass.

A troubled family must face facts when tragedy strikes their son's desolate military post.

Born to a Nepalese father and an Israeli mother, Kaya is a foreigner wherever she goes. In Tel Aviv, she is taken for Asian, while in Goa she is perceived as a white person. A few years ago, as a home-schooled child, Kaya looked for ways to connect with her new surroundings and took up boxing at a small club. There, she met Soniya, a Hindu girl who became her close friend and rival in the ring. Now, Kaya and her mother return to India to part from Goa for good. Their journey raises questions of identity, motherhood and responsibility.

Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.

The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.

Jerusalem, Israel. Professors Eliezer and Uriel Shkolnik, father and son, have dedicated their lives to the study of the Jewish scriptures. Eliezer is a stubborn and methodical scholar who has never been recognized for his work; Uriel is a rising star, someone admired and praised by his colleagues. The fragile balance that has kept their personal relationship almost intact is broken in an unexpected way by a simple phone call.

During the First Lebanon War in 1982, a lone tank and a paratroopers platoon are dispatched to search a hostile town.