Josefina Rodríguez

A novelist attends the trial of a woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, her own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused is gradually revealed.

To live and to love at the age of 18, immersing yourself in the carefree summer days and nights, losing your best friend suddenly, and realizing that nothing lasts forever. It’s a time of decisive encounters in order to be reborn.

French Basque Country, year 1609. The men of a small fishing village have gone to sea. Judge Rostegui, who has been charged by the king with ridding the country of the devil's wiles, arrests Ana and her friends and accuses them of witchcraft.

Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.

Silvia, a single mother and a lawyer, is implicated in a corruption scandal. But in addition to trouble at work, she is also facing a more crippling problem: her mother’s cancer has returned. While she is forced to face up to her mother’s inconceivable yet inescapable death, Silvia embarks on a love story, her first in many years.

As Russian writer Boris Pasternak (1890-1960) thinks it is impossible that his novel Doctor Zhivago is published in the Soviet Union, because it supposedly shows a critical view of the October Revolution, he decides to smuggle several copies of the manuscript out of the country. It is first published in 1957 in Italia and the author receives the Nobel Prize in Literature in 1958, which has consequences.

Struggling against the crisis in Portugal, a mother doubles up jobs to pay the bills since her husband is unemployed. Their teenage daughter tries to keep living everyday life even if the money is running short, which makes everything uneasy. Escaping from their common reality, they slowly become strangers to one another, as the tension grows in silence and in guilt.

To keep the promise she made to her dying mother, a young woman sets off to find her father, a fickle man she has never known. On the way, she discovers he is in fact dead, but, driven by the bewitching rhythms of the Maloya, a Reunion Island ritual singing and musical tradition, she does not abandon her goal: she must find her father.

Eddie is no longer living with his wife and their son Noam. One night, he gets mugged and badly injured, and consequently becomes a hero to his son and the victim of a vicious crime to his wife. But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

Amidst turmoil and racial conflict in a Francophone African state, a white French woman fights for her coffee crop, her family and ultimately for her life.

Lionel, a widower, has raised his daughter, Josephine, on his own since she was young. The two are used to living alone, depending solely on one another. But, now that Josephine is older, Lionel is beginning to realize they cannot stay isolated forever.