Script Supervisor
Year 1763. Forced into exile, the famous libertine Giacomo Casanova leaves Paris and travels to London, where he meets Marianne de Charpillon, a young prostitute to whom he is so attracted that he forgets about the other women.
Script Supervisor
Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.
Script Supervisor
A man prepares himself to be transferred to a detention center and rest home where he will relive one more time the highlights of his youth.
Assistant Director
Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude.
Editor
Based on the letters of a fictitious poetess to her lover. Duras reads extracts from these letters, as the film shows a boat journey down the Seine, past familiar bridges and landmarks. – BFI
Editor
On images of the Tuileries Gardens, Marguerite Duras recalls Césarée, an ancient destroyed city.
Editor
Duras narrates a short story while the camera travels through the streets of Paris with short interludes of solemn music.
Script Supervisor
In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.
Script Supervisor
An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.
Editor
A woman's feminist awakening drives an intellectual couple to a relationship crisis.
Editor
The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.
Script Supervisor
India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…
Assistant Editor
India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…
