Vlasta Matuchová

It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

In the thick woods at the edge of the Bohemian Forest, two border guards are keeping watch - rifleman Kucera (Rudolf Jelínek) and dog handler Stencl (Josef Hajducík), whose sluggishness and clumsiness have won him the nickname Simpleton. The official army dog, the bitch Líza, picks up the scent of an alien dog on the German side - Black Wolf. She bites through her leash and runs away. Soon afterwards, the border boundary was interrupted. The two soldiers are wounded in the gunfire that follows, but Stencl's shot also hits the target and the intruder - an attractive woman in a black jersey - is dead. The investigation reveals that this agent knew someone among the local residents. The locals are all called in to identify the body but nobody admits to knowing the woman.

Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.

The title "All My Good Countrymen" is not without irony as this epic tale of Czech village life from shortly after the end of the Second World War concentrates on the activities of a group of friends who are not beyond reproach in siding with a politically corrupt regime for material advancement. Are these the "good countrymen" of the title or does it refer to the rest of the village who scorn these petty authority figure with silent contempt?

A troupe of young women on post-apocalyptic earth are lead around by a mistress born before the war, eventually stumbling into the company of a lonely old man.

In 1965, the experienced director Jaroslav Mach made a documentary film with staged scenes, which dealt with the current problems of popular Czech sport. Behind the scenes of football, the playmakers looked through slavoje's team, which is preparing for the decisive match. If Coach Ram doesn't force his boys to perform convincingly, they're in danger of relegation to league two. After a series of dramatic peripeteias, Slavoj takes the field so weakened that he is caught up in the dreaded failure. Fortunately, the club's fans will eventually take their anger out on the loss of "their" team to an innocent referee. The film also features criticism of officials... In addition to actors Martin Růžek and Bohumil Šmída, Machov's film appeared real footballers Dukla and period sports stars (e.g. František Plánička).

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.