Cinematography
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Screenplay
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Director
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Cinematography
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
Script
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
Producer
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
Director
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
Writer
In the far west of Mazunte, a peninsula called 'Punta Cometa' or "Sacred Hill" is formed. In this place, just like in many other towns across the world, it is said that the sea is some kind of teacher who shows man how to live, fish and at some point, how to leave the world forever.
Director
In the far west of Mazunte, a peninsula called 'Punta Cometa' or "Sacred Hill" is formed. In this place, just like in many other towns across the world, it is said that the sea is some kind of teacher who shows man how to live, fish and at some point, how to leave the world forever.
Editor
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Sound
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Cinematography
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Script
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Director
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Sound
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Editor
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Cinematography
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Script
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Director
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
