Mariano Rentería Garnica

参加作品

Fire in the Sky
Cinematography
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Fire in the Sky
Screenplay
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Fire in the Sky
Director
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
A Face Full Of Kisses
Cinematography
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
A Face Full Of Kisses
Script
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
A Face Full Of Kisses
Producer
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
A Face Full Of Kisses
Director
Adriana spends her nights at the same decadent hotel. She just started her shift with a new man, and it feels like time will drag on forever.
The World in a Corner
Writer
In the far west of Mazunte, a peninsula called 'Punta Cometa' or "Sacred Hill" is formed. In this place, just like in many other towns across the world, it is said that the sea is some kind of teacher who shows man how to live, fish and at some point, how to leave the world forever.
The World in a Corner
Director
In the far west of Mazunte, a peninsula called 'Punta Cometa' or "Sacred Hill" is formed. In this place, just like in many other towns across the world, it is said that the sea is some kind of teacher who shows man how to live, fish and at some point, how to leave the world forever.
The Wear of Agony
Editor
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
The Wear of Agony
Sound
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
The Wear of Agony
Cinematography
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
The Wear of Agony
Script
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
The Wear of Agony
Director
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Aún Nos Queda el Recuerdo
Sound
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Editor
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Cinematography
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Script
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Director
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.