Mariano Rentería Garnica

Películas

Fuego en el Cielo
Cinematography
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Fuego en el Cielo
Screenplay
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Fuego en el Cielo
Director
In the Purépecha community of Paracho, the Torres family meets from time to time to build huge flying balloons on which they put weeks of work, with the only so that together they can release the bad emotions that are carrying with the pass of the time.
Un Rostro Cubierto De Besos
Cinematography
Adriana pasa sus noches en el mismo hotel decadente. Acaba de empezar su turno con un hombre nuevo y parece que será eterno. Esta es la historia de una mujer que resiste la salvaje noche que la rodea.
Un Rostro Cubierto De Besos
Script
Adriana pasa sus noches en el mismo hotel decadente. Acaba de empezar su turno con un hombre nuevo y parece que será eterno. Esta es la historia de una mujer que resiste la salvaje noche que la rodea.
Un Rostro Cubierto De Besos
Producer
Adriana pasa sus noches en el mismo hotel decadente. Acaba de empezar su turno con un hombre nuevo y parece que será eterno. Esta es la historia de una mujer que resiste la salvaje noche que la rodea.
Un Rostro Cubierto De Besos
Director
Adriana pasa sus noches en el mismo hotel decadente. Acaba de empezar su turno con un hombre nuevo y parece que será eterno. Esta es la historia de una mujer que resiste la salvaje noche que la rodea.
La Esquina del Mundo
Writer
In the far west of Mazunte, a peninsula called 'Punta Cometa' or "Sacred Hill" is formed. In this place, just like in many other towns across the world, it is said that the sea is some kind of teacher who shows man how to live, fish and at some point, how to leave the world forever.
La Esquina del Mundo
Director
In the far west of Mazunte, a peninsula called 'Punta Cometa' or "Sacred Hill" is formed. In this place, just like in many other towns across the world, it is said that the sea is some kind of teacher who shows man how to live, fish and at some point, how to leave the world forever.
El Sudor de la Agonía
Editor
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
El Sudor de la Agonía
Sound
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
El Sudor de la Agonía
Cinematography
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
El Sudor de la Agonía
Script
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
El Sudor de la Agonía
Director
This is the re-interpretation of a truth. It is a visual waltz through the spaces, people, and objects that make up the working class of Mexico, a place where their reality and their dreams dance and dialogue.
Aún Nos Queda el Recuerdo
Sound
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Editor
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Cinematography
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Script
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.
Aún Nos Queda el Recuerdo
Director
A spoken portrait about the old world of cinema. Situated in Morelia, MX, this is a journey through the eyes of the elderly locals and adults who grew up there, about the memories of those who lived at that time, where theaters were part of the urban landscape. Along with the memories of these people, we also travel to the present to meet the people who still have that 'cult' for the cinema.