Alan Guichaoua

Nancy, East of France. Summertime. Seeking to escape her troublesome family environment, Sophie, 15, jumps at the chance to get the spare keys to her wealthy friend Jade's house. While enjoying the spacious home she thought deserted for summer, she bumps into her friend's older brother Stéphane, who, as fate would have it, was also planning on staying. But instead of chasing her out, Stéphane will choose to leave the door open as an invitation to a summer Sophie never expected.

An unlikely oddball trio bond during an impromptu trip to the French countryside on a foolhardy romantic mission.

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

The coast is deserted and wild. It's hot. As every year, Matthieu returns for the summer. He finds his friends. The images of his childhood come back to life. The life-size role-playing game they play over and over again seems to be what's left of their past life.

Artist and filmmaker Eric Baudelaire spent four years interacting with the pupils of a film class, at a secondary school in the Parisian suburb of Saint-Denis. Keeping himself on the sidelines, he gives way to the children to express their thoughts and dreams. Their remarks are intuitive, inquisitive, yet passionate and surprisingly mature, concerning rocky and complicated issues, ranging from racism, immigration, and identity, all the way to the possibilities of film as a medium. As time flows almost unnoticed, it is evident that these children have not only become the co-directors of this film but also the heroes of their own lives.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

Two languorous summer days, two thorny tales of romantic misunderstanding: in part one, two girlfriends head to the Cergy leisure park for a day of swimming and equally vigorous flirtation; in the second, a Norwegian exchange student finds herself the target of unwanted attention from two would-be suitors.

A writer has her alarm clock stolen after a sexual encounter.

Also Known as Jihadi follows the progress of a young man's journey from France to Syria, and back to France, where he is incarcerated for allegedly joining Daesh. Based on real events, and drawn from thousands of pages of judicial documents, the work employs the so-called landscape theory (fukeiron in Japanese). The character's paths to radicalism are rendered purely through a series of landscape shots filmed at the locations traversed by the subject: a biography determined not by what the subject did, but by what the subject saw, and one that questions how these landscapes reflect the social and political structures that are the backdrop for a journey of alienation and return.

The story of Maxime, a 33-year-old musician, who has come to find refuge in his father’s home in the town of Tonnerre. There he will have the joy and the bad luck of meeting Mélodie, a 21-year-old girl trapped by her love for her childhood sweetheart. One and the other will not experience the same story at the same time, which will trigger a series of incidents.

A little sea resort on the Picardie coast, the last week of august. When handing over the keys to a rented apartment, Sylvain makes the acquaintance of two beautiful women. This is a fabulous occasion for him to escape his routine, single life in which women are a rarity, even if only for a few days. Quickly Sylvain's new friends can't do without him. Unfortunately, things get complicated when feelings and flirty Gilles, the local lady's man, get mixed up in it all.