Renato Castellani

A young American agent living in Rome meets with a beautiful Swedish translator.

A young American agent living in Rome meets with a beautiful Swedish translator.

Comedy about a lawyer who is suspected of murder

In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.

Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.

When Domenico first meets Filomena in Naples during World War II, he is instantly smitten. Flash forward to the postwar years, and the two meet again, sparking a passionate affair that spans two decades. But when Filomena — who has now become Domenico's kept woman and has secretly borne his children — learns that her lover is planning to wed another, she will stop at nothing to hook him into marrying her instead.

A vivid assortment consisted of three acts taken from the lives of modern 1960s Italians, always in orbit around the restless theme of sexual inhibition and the pursuit of pleasure in sex.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

A pretty woman approaching middle age rents out rooms in a small Italian town. An aging sailor and a handsome younger man are amongst the lodgers.

A pretty woman approaching middle age rents out rooms in a small Italian town. An aging sailor and a handsome younger man are amongst the lodgers.

A pretty woman approaching middle age rents out rooms in a small Italian town. An aging sailor and a handsome younger man are amongst the lodgers.

Inspired by a real-life event that took place in Calabria at the end of World War 2, the film is the story of a young farmer who led peasants to revolt, after being falsely accused of murder.

Inspired by a real-life event that took place in Calabria at the end of World War 2, the film is the story of a young farmer who led peasants to revolt, after being falsely accused of murder.

A young girl comes to prison and experiences the entire prison subculture. The inmates she befriends vary from big tough dangerous dames to smaller submissive ladies who are totally lost in prison life.

Young Prince Nechljudov is summoned as a judge in a murder trial. A rich merchant was found dead in the room of the inn where he was staying and the prostitute Maslova was accused of the crime. Nechljudov recognizes in the woman the maid of the aunts he had seduced and abandoned years before and tries to convince the authorities of her of his innocence but to no avail. Convinced that he is responsible for her moral fall, he follows her to Siberia where she must serve her sentence.

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

The film is the third in director Castellani's "young love" trilogy (the first two being Sotto il sole di Roma (1948) and È primavera...(1950)). The story concerns the romance between Carmela (Fiore) and Antonio (Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado.

The film is the third in director Castellani's "young love" trilogy (the first two being Sotto il sole di Roma (1948) and È primavera...(1950)). The story concerns the romance between Carmela (Fiore) and Antonio (Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado.

The film is the third in director Castellani's "young love" trilogy (the first two being Sotto il sole di Roma (1948) and È primavera...(1950)). The story concerns the romance between Carmela (Fiore) and Antonio (Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado.

The second of Castellani's trilogy dealing with the less-than-smooth course of young love in postwar Italy (it was filmed just after Sotto il sole di Roma and just before Two Cents Worth of Hope). Leading man Mario Angelotti, loving not wisely but too well, quickly discovers that the penalty for bigamy is two wives. Between his tempestuous Sicilian bride, played by Elena Varzi and his sedate Milanese missus (Irene Gemma), the poor man barely has time to take a breath.

The second of Castellani's trilogy dealing with the less-than-smooth course of young love in postwar Italy (it was filmed just after Sotto il sole di Roma and just before Two Cents Worth of Hope). Leading man Mario Angelotti, loving not wisely but too well, quickly discovers that the penalty for bigamy is two wives. Between his tempestuous Sicilian bride, played by Elena Varzi and his sedate Milanese missus (Irene Gemma), the poor man barely has time to take a breath.

A lovely, incisive portrait of adolescents in the crowded San Giovanni quarter of Rome during the last years of WWII.

A lovely, incisive portrait of adolescents in the crowded San Giovanni quarter of Rome during the last years of WWII.

A lovely, incisive portrait of adolescents in the crowded San Giovanni quarter of Rome during the last years of WWII.

During Fascism and after WWII, a school porter sacrifices himself so his son, who is slightly ashamed of a lowly background, can become a respected professor.The film also takes a few jabs at Italy's rapid governmental reshuffles.

During Fascism and after WWII, a school porter sacrifices himself so his son, who is slightly ashamed of a lowly background, can become a respected professor.The film also takes a few jabs at Italy's rapid governmental reshuffles.

During Fascism and after WWII, a school porter sacrifices himself so his son, who is slightly ashamed of a lowly background, can become a respected professor.The film also takes a few jabs at Italy's rapid governmental reshuffles.

The story is taken from the drama "I Pescatori" (The Fishermen) by Raffaele Viviani, and is set in a fishing island off the coast of Naples (clearly identifiable with Ischia). Here lives Concetta, a widow with two children, who now lives with another man who however secretly lusts after his stepdaughter until when, on a stormy night...

In High Places is a 1943 Italian comedy film directed by Mario Soldati and starring Adriana Benetti, Massimo Serato and Nerio Bernardi. It is based on a play by Jean Anouilh. The film portrays the rise into high society of an immoral young man.

An engineer, devastated by the death of his fiance during a mountain expedition in north Italy, hopes he might forget about her by marrying a young nurse who adores him. But one day he returns to the mountain retreat where he’d had such happy days with his fiance, leaving his young bride distraught.

An engineer, devastated by the death of his fiance during a mountain expedition in north Italy, hopes he might forget about her by marrying a young nurse who adores him. But one day he returns to the mountain retreat where he’d had such happy days with his fiance, leaving his young bride distraught.

A glamorous female singer Zazà (Isa Miranda) has an affair with a passerby engineer Dufresne (Antonio Centa). But when Zazà impatiently comes to him in Paris she finds out that he is married and even has a daughter. He wants to escape from his relatives with Zazà, but, disillusioned and exhausted, she rejects his proposition and insists on his coming back to his family.

A glamorous female singer Zazà (Isa Miranda) has an affair with a passerby engineer Dufresne (Antonio Centa). But when Zazà impatiently comes to him in Paris she finds out that he is married and even has a daughter. He wants to escape from his relatives with Zazà, but, disillusioned and exhausted, she rejects his proposition and insists on his coming back to his family.

A nineteenth-century Italian noblewoman, imprisoned in a foreboding lakeside palazzo by her uncle, comes to believe she's possessed by a long ago mistress of the manor.

Count Anikoff, a Russian officer, challenges his best friend, Sergei, to a duel when he finds him courting the young woman he, too, is in love with. Sergei can't bring himself to kill his friend. He fires only after taking the bullet out of his pistol. Now, it is the Count's turn to fire...

Count Anikoff, a Russian officer, challenges his best friend, Sergei, to a duel when he finds him courting the young woman he, too, is in love with. Sergei can't bring himself to kill his friend. He fires only after taking the bullet out of his pistol. Now, it is the Count's turn to fire...

In Florence, at the time of Lorenzo de Medici, known also as Lorenzo the Magnificent, the aristocrat brothers Chiaramantesi rule with an iron fist the streets of the city. Ruthless and fierce, the two brothers have chosen as their special victim the innocent and harmless Giannetto. Even though determined to not react to the cruel pranks of the brothers, Giannetto is forced to take a stand when Ginevra, a beautiful girl that works in the Chiaramantesi household, is dragged into the game. To defend his honor and protect the girl, Giannetto works out a fiendish plot that will end in blood and madness.

In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them.

On a whim, an American man offers a girl the sum of $100,000 if she will marry him.

Everything unfolds in Naples seventeenth century, when a mysterious masked swordsman who calls Salvador Rossa becomes champion of the needy and lonely struggle against the cruel tyrant that frightens the country.

An Italian industrialist who has made a fortune in America returns to Italy planning to make a film about a beautiful woman who smiled at him before he left his home country years before.

In a massive department store the driver romances the shopgirl. The problem is that the manager also has his eye on her, and some employees seem to be pilfering goods from the place.

In a massive department store the driver romances the shopgirl. The problem is that the manager also has his eye on her, and some employees seem to be pilfering goods from the place.

The rich banker Rosen of Livorno fear that the Bonapartist will take all his gold, so he is hiding it inside a cuckoo clock.

An adventuress serves as bait for a swindler, who robs the naive people she brings to him with poker. A childhood friend helps him.

An Italian proprietor of a squalid Djibouti bar collaborated in selling arms to Ethiopians fighting his own country's invasion but after finding his long lost son on the Fascist front he decides to choose patriotism over selfish profit.