Barrie Vince

Short documentary about sequences removed from the film.

A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.

A modern day treasure hunt for a mystical relic that turns into a love story for all time.

Steven spends his school days longing for all-star athlete John. But John has a gorgeous girlfriend, and Steven is still in the closet about being gay. The only one who knows the teenager's secret is his friend Linda. After a curious run-in with John in a public restroom, Steven starts to wonder if the jock is straight after all. When they start a romance, it threatens to expose the truth about both of them.

After saving each other from jumping off a bridge, Henry Bell and Karen Knightly plot to avenge the people who drove them to suicide. Henry will ruin the life of the woman who married Karen's boyfriend, while Karen will work as a secretary for the man who took Henry's job. Whether revenge will be sweet – or bittersweet – is anyone's guess.

Amir is an illegal Pakistani immigrant smuggled into England in the 1960's to work, to send money to his family and perhaps even bring them over with him. A skilled laborer, he is forced to do unskilled work like shoveling sheep dung and processing wool. He lives in a boarding house with nearly a dozen other men, under the supervision of Hussein Shah. He befriends a young student, Sakib, who dreams of being a writer. Their existence is punctuated by secret movies, a visiting prostitute, fear of detection and deportation, and the gangster-like smuggler who comes by for his take every week. The household is shaken up by the arrival of a white girl, Shah's girlfriend, and the sense of femininity and family she brings.

Television interviewer George Grant, renowned for his ability to get at the truth, is at the peak of his career. But when he receives a message at his office that his wife needs to see him urgently - a matter of life and death - his life is irreversibly altered. And so the frantic search begins for George Grant 's truth - and his wife.

In the summer of 1947, Britain prepares to commemorate the wedding of Princess Elizabeth and Prince Phillip. To get around food-rationing laws, Dr. Charles Swaby, accountant Henry Allardyce and solicitor Frank Lockwood are fattening a black-market pig for the big day. Egged on by his wife, meek Gilbert Chilvers steals the swine, but the couple must conceal it from inspector Morris Wormold.

Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.

A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak has to manage the project and the men as they encounter the tempations of the West and loneliness and separation from their families. Nowak is the only one of the group who speaks English, and he uses this as a tool over his team. When the unrest in Poland leads to a military takeover, Nowak is faced with a much more difficult situation than he expected.

A traveller by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon, and uses the aboriginal magic he has learned to displace his host.

After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius becomes embroiled in the search for the mysterious "Final Programme", developed by his father. The programme, a design for a perfect, self-replicating human being, is contained on microfilm. A group of scientists, led by the formidable Miss Brunner (who consumes her lovers), has sought Cornelius's help in obtaining it. After a chase across a war-torn Europe on the verge of anarchy, Brunner and Cornelius obtain the microfilm from Jerry's loathsome brother Frank. They proceed to an abandoned underground Nazi fortress in the Arctic to run the programme, with Jerry and Miss Brunner as the subjects.

After her husband is captured during WWII, homesteader Alice is forced to maintain their land herself. One day, a wandering soldier named Barton stops by the farm and the pair begin a relationship. When the military police pass through the area looking for deserters, Barton is forced to disguise himself as a woman to stay with Alice. But he soon catches the eye of a sergeant posted nearby.

The Page family lives without electricity or running water deep in the Sussex woods. Amidst ever-growing modernity and industrialization, the family carries out chores, hunts pheasants, builds steam engines, and postulates on man's trip to the moon. They demonstrate fine lateral thinking and, through their particular delivery, display fears and concerns about pollution, intensive farming, mechanization, and self-fulfillment during a time of technological advancement.

London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.

A businessman blackmails his young secretary into spending a weekend with him.

Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.

Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a trade show and show off his invention, taking his 10 year old son with him for a holiday. Meanwhile a British Intelligence officer who served with Laker in the Second World War decides to use the opportunity of Laker's trip and his lack of an intelligence profile to coerce him into carrying out an assassination.

A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.

An obscure Eastern cult that practices human sacrifice pursues Ringo after he unknowingly puts on a ceremonial ring (that, of course, won't come off). On top of that, a pair of mad scientists, members of Scotland Yard, and a beautiful but dead-eyed assassin all have their own plans for the Fab Four.

Cliff Richard and The Shadows are hired to star in a movie shot amid the lush tropical scenery of the Canary Islands. A sunny seaside spectacular, filled with romance, excitement and high spirits - not to mention a dozen musical numbers.

An immature teenager marries a young biker but becomes disenchanted with the realities of working class marriage and her husband's relationship with his best friend.

Experimental gothic short, adapted from Edgar Allan Poe's 'The Pit and the Pendulum'.

A doctor in 1890 England, in order to cure his wife's "sick mind," injects her with snake venom. She later gives birth to a daughter whom the villagers call "The Devil's Baby" and in a fit of fear they end up burning the family's house down. Years later a Scotland Yard detective is sent to the village to investigate a rash of deaths that are caused by snakebite.

After being thrown out of medical school for ethical violations, Dr. Peter Blood returns home to a small Cornish village, where he sets up a research laboratory in a secluded cave. There, he attempts to revive the dead, using kidnapped humans -- who he views as unworthy of life -- for their body parts, specifically, their hearts.