Barrie Vince

Short documentary about sequences removed from the film.

A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.

A modern day treasure hunt for a mystical relic that turns into a love story for all time.

Steven spends his school days longing for all-star athlete John. But John has a gorgeous girlfriend, and Steven is still in the closet about being gay. The only one who knows the teenager's secret is his friend Linda. After a curious run-in with John in a public restroom, Steven starts to wonder if the jock is straight after all. When they start a romance, it threatens to expose the truth about both of them.

After saving each other from jumping off a bridge, Henry Bell and Karen Knightly plot to avenge the people who drove them to suicide. Henry will ruin the life of the woman who married Karen's boyfriend, while Karen will work as a secretary for the man who took Henry's job. Whether revenge will be sweet – or bittersweet – is anyone's guess.

Amir is an illegal Pakistani immigrant smuggled into England in the 1960's to work, to send money to his family and perhaps even bring them over with him. A skilled laborer, he is forced to do unskilled work like shoveling sheep dung and processing wool. He lives in a boarding house with nearly a dozen other men, under the supervision of Hussein Shah. He befriends a young student, Sakib, who dreams of being a writer. Their existence is punctuated by secret movies, a visiting prostitute, fear of detection and deportation, and the gangster-like smuggler who comes by for his take every week. The household is shaken up by the arrival of a white girl, Shah's girlfriend, and the sense of femininity and family she brings.

Television interviewer George Grant, renowned for his ability to get at the truth, is at the peak of his career. But when he receives a message at his office that his wife needs to see him urgently - a matter of life and death - his life is irreversibly altered. And so the frantic search begins for George Grant 's truth - and his wife.

In the summer of 1947, Britain prepares to commemorate the wedding of Princess Elizabeth and Prince Phillip. To get around food-rationing laws, Dr. Charles Swaby, accountant Henry Allardyce and solicitor Frank Lockwood are fattening a black-market pig for the big day. Egged on by his wife, meek Gilbert Chilvers steals the swine, but the couple must conceal it from inspector Morris Wormold.

Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.

돈을 벌기 위해 런던에 온 폴란드 노동자가 결국 한 푼도 벌지 못하고 쓸쓸히 떠나기까지의 이야기를 그린 인상적인 사회 드라마. 1960년대 중반부터 1980년대 중반까지 국제적인 명망을 얻고 있었던 폴란드 출신의 영화감독 예지 스콜리모프스키가 영국에서 만든 영화로, 그가 만든 영화 가운데 비평적으로 가장 찬사를 받았고, 상업적으로도 가장 큰 성공을 거두었다. 아이러니와 씁쓸한 유머를 통해 고독과 절망, 그리고 억압의 의미에 대해 탐구하는 일종의 우화와 같은 이 영화는 계엄령 선포로 인해 고국으로 돌아가지 못한 신세가 된 감독 자신의 처지를 투영한 작품이기도 하다. 1982년 칸느영화제 각본상을 수상했다. 레너드 말틴 별4개 만점 영화. 공산주의 사회였던 동구권 국가에서 온 노동자들이 서구 자본주의의 중심지에서 생활하면서 경험하게 되는 차이와 충격을 유머러스하게 그러나 섬뜩할 정도로 현실적으로 묘사하고 있다. 어둡고 풍자적이며 잔인할 정도로 현실적인, 그러나 페이소스가 있는 유머가 일품이다.

데번에 사는 부부 안소니와 레이첼은 클로슬리라는 이상한 여행객을 만난다. 크로슬리는 사람을 죽일 수 있는‘치명적인 외침’인 호주 원주민들의 샤머니즘을 알려주고, 이로 인해 평범했던 부부의 삶은 끔찍한 방향으로 흘러간다. 로버트 그레이브의 짧은 소설을 기반으로 한 이 영화는 70년대 만들어진 초현실주의 스릴러 '위커맨'이나 '지금 뒤돌아 보지 마라'와 같은 영화들과 맥을 같이한다. 독특한 내러티브와 전례 없는 사운드 효과로 1970년대 후반 영국 공포영화의 초석이 된 작품.

After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius becomes embroiled in the search for the mysterious "Final Programme", developed by his father. The programme, a design for a perfect, self-replicating human being, is contained on microfilm. A group of scientists, led by the formidable Miss Brunner (who consumes her lovers), has sought Cornelius's help in obtaining it. After a chase across a war-torn Europe on the verge of anarchy, Brunner and Cornelius obtain the microfilm from Jerry's loathsome brother Frank. They proceed to an abandoned underground Nazi fortress in the Arctic to run the programme, with Jerry and Miss Brunner as the subjects.

After her husband is captured during WWII, homesteader Alice is forced to maintain their land herself. One day, a wandering soldier named Barton stops by the farm and the pair begin a relationship. When the military police pass through the area looking for deserters, Barton is forced to disguise himself as a woman to stay with Alice. But he soon catches the eye of a sergeant posted nearby.

The Page family lives without electricity or running water deep in the Sussex woods. Amidst ever-growing modernity and industrialization, the family carries out chores, hunts pheasants, builds steam engines, and postulates on man's trip to the moon. They demonstrate fine lateral thinking and, through their particular delivery, display fears and concerns about pollution, intensive farming, mechanization, and self-fulfillment during a time of technological advancement.

학교를 졸업하고 일자리를 구하던 17세 소년 마이크는 런던 교외의 한 목욕탕에 취직한다. 목욕탕을 들락거리는 중년의 여성이나 또래의 여자아이에게 성적인 유혹을 받지만 그의 관심사는 그곳에서 일하는 몇 살 연상의 여인 수잔이다. 일이 끝나면 그녀를 미행하기도 하고 포르노 극장과 사창가도 지나가던 마이크는 수잔의 남자 관계를 알게 되면서 그녀에게 점점 집착하는데...

A businessman blackmails his young secretary into spending a weekend with him.

Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.

Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a trade show and show off his invention, taking his 10 year old son with him for a holiday. Meanwhile a British Intelligence officer who served with Laker in the Second World War decides to use the opportunity of Laker's trip and his lack of an intelligence profile to coerce him into carrying out an assassination.

A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.

우연히 암흑의 여왕에 바쳐지는 제물이 된 링고를 구하기 위해 비틀즈 멤버들이 고군분투한다.

Cliff Richard and The Shadows are hired to star in a movie shot amid the lush tropical scenery of the Canary Islands. A sunny seaside spectacular, filled with romance, excitement and high spirits - not to mention a dozen musical numbers.

An immature teenager marries a young biker but becomes disenchanted with the realities of working class marriage and her husband's relationship with his best friend.

Experimental gothic short, adapted from Edgar Allan Poe's 'The Pit and the Pendulum'.

A doctor in 1890 England, in order to cure his wife's "sick mind," injects her with snake venom. She later gives birth to a daughter whom the villagers call "The Devil's Baby" and in a fit of fear they end up burning the family's house down. Years later a Scotland Yard detective is sent to the village to investigate a rash of deaths that are caused by snakebite.

After being thrown out of medical school for ethical violations, Dr. Peter Blood returns home to a small Cornish village, where he sets up a research laboratory in a secluded cave. There, he attempts to revive the dead, using kidnapped humans -- who he views as unworthy of life -- for their body parts, specifically, their hearts.