Bertrand Conard

Movies

I Have Electric Dreams
Editor
Eva can't stand the fact that her mother wants to renovate the house and get rid of the cat, which, disoriented since the divorce, pees everywhere. Eva wants to go and live with her father, who, disoriented like the cat, is experiencing a second adolescence. And Eva follows him while he tries to reconnect with his desire to become an artist and find love again. But like someone who crosses an ocean of adults without knowing how to swim, Eva will also discover the rage that gnaws at him, and that without knowing it, she has inherited from him.
You Will Not Have My Hate
Assistant Editor
The story of Antoine Leiris, who lost his beloved wife Hélène in the terrorist attack on the Paris "Bataclan". In a moving Facebook post, he counters the assassins' hatred with his love for his almost three-year-old son. And yet he seems to lose his footing in his grief.
Aya
Editor
Aya grows up with her mother on the island of Lahou. Joyful and carefree, she likes to pick coconuts and sleep on the sand. However, her paradise is doomed to disappear under the waters. As the waves threaten her house, Aya makes a choice: the sea can rise, but she will not leave her island.
Nuclear Family
Editor
Jules, 18 years old, reluctantly spends his holidays in the naturist campsite of his childhood. He is torn between his attraction for the beautiful Karim, a seasonal worker on the textile beach, and the depression of his mother Adèle, who refuses to let him grow up.
Waiting for Anya
First Assistant Editor
During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
Gaïa
Editor
Daphné, her dog and the whole family are gathered together to spend Christmas in the countryside.
Lucia in Limbo
Editor
Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.
Con el nombre de Tania
Assistant Editor
The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jiménez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl’s traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.