Bertrand Conard

참여 작품

내겐 짜릿한 꿈이 있어
Editor
16살 에바(다니엘라 마린 바라로)는 부모의 결별로 마음이 혼란스럽다. 여동생, 고양이, 엄마와 함께 살면서도 마음은 자꾸만 아빠 마틴(레이날도 아미엔 구띠에 레즈)에게로 향한다. 새집에서 아빠와 함께 살기를 꿈꾸지만, 중년 예술가 마틴의 상황은 여유롭지 못하다. 그럼에도 에바는 맥주와 담배, 섹스까지 어른의 세계를 탐하며 마틴의 주변부에 머물고자 한다.
You Will Not Have My Hate
Assistant Editor
The story of Antoine Leiris, who lost his beloved wife Hélène in the terrorist attack on the Paris "Bataclan". In a moving Facebook post, he counters the assassins' hatred with his love for his almost three-year-old son. And yet he seems to lose his footing in his grief.
Aya
Editor
Aya grows up with her mother on the island of Lahou. Joyful and carefree, she likes to pick coconuts and sleep on the sand. However, her paradise is doomed to disappear under the waters. As the waves threaten her house, Aya makes a choice: the sea can rise, but she will not leave her island.
Nuclear Family
Editor
Jules, 18 years old, reluctantly spends his holidays in the naturist campsite of his childhood. He is torn between his attraction for the beautiful Karim, a seasonal worker on the textile beach, and the depression of his mother Adèle, who refuses to let him grow up.
웨이팅 포 안야
First Assistant Editor
During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
Gaïa
Editor
Daphné, her dog and the whole family are gathered together to spend Christmas in the countryside.
Lucia in Limbo
Editor
Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.
By the Name of Tania
Assistant Editor
The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jiménez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl’s traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.