Director
What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).
Director
Panay worked in the city as a journalist. One day, she found her tribe had been overdeveloped and changed by tourism. They were losing their land and their culture, so she decided to return home to bring back the abandon terrace. In this process, she found it's not only about the land, but also about who she really is.
Writer
Panay worked in the city as a journalist. One day, she found her tribe had been overdeveloped and changed by tourism. They were losing their land and their culture, so she decided to return home to bring back the abandon terrace. In this process, she found it's not only about the land, but also about who she really is.
Writer
Apin returns to the forgotten village, a place that has long been abandoned. At night, he steps on to a sacred spot, clad in the traditional Pangcah attire. He starts a lonely dance and song, with no-one there to hold his hands.
Producer
Apin returns to the forgotten village, a place that has long been abandoned. At night, he steps on to a sacred spot, clad in the traditional Pangcah attire. He starts a lonely dance and song, with no-one there to hold his hands.
Director
Apin returns to the forgotten village, a place that has long been abandoned. At night, he steps on to a sacred spot, clad in the traditional Pangcah attire. He starts a lonely dance and song, with no-one there to hold his hands.
