Leonardo Hermo

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

A documentary on the life of Uruguayan politician and former guerrilla fighter José Mujica.

Three interconnected stories explore the complicated relationships of young, attractive Argentinian adults searching for true love

Four woman of different generations. Their bodies and faces confronted with a tender and ruthless camera. Explicit and implicit movements; intimacy, shyness and extravagance in a mysterious choreography. A magnifying glass that explores and amplifies their moods, and silences: a shared loneliness.

A woman locks herself in the bathroom. It’s late at night and everything -and everybody- will remain outside her small, claustrophobic world. But before the new day arrives he will knock at the door. This is a combination of dance and the cinematic exploration of the tension between loneliness and contact, a tension we could call intimacy.

Lo Rojo is an experimental collaboration between a musician, a filmmaker and a dancer. The film obsessively explores the dancer's movement to the rhythm of Murga, the popular Mardi Gras music of Buenos Aires. The gaze of the camera enters the female body, making its shapes explode into multiple fragments: the heartbeat, the blood, the red.