Leonardo Hermo

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

이구아수 폭포 근처 부유한 영주의 아내 줄리아는 며칠 째 계속 악몽을 꾸고 있다. 남편은 원주민인 과라니 부족의 침입을 막기 위해 울타리를 세우지만 줄리아는 아들 마누엘의 안전이 불안하기만 하다. 어느 날 마누엘이 집에서 사라지고 아들을 찾아 산중을 헤메이던 줄리아는 폭포 아래에서 1년 전 죽은걸로 알고 있던 하녀 케라나를 마주하게 된다.

이구아수 폭포 근처 부유한 영주의 아내 줄리아는 며칠 째 계속 악몽을 꾸고 있다. 남편은 원주민인 과라니 부족의 침입을 막기 위해 울타리를 세우지만 줄리아는 아들 마누엘의 안전이 불안하기만 하다. 어느 날 마누엘이 집에서 사라지고 아들을 찾아 산중을 헤메이던 줄리아는 폭포 아래에서 1년 전 죽은걸로 알고 있던 하녀 케라나를 마주하게 된다.

A documentary on the life of Uruguayan politician and former guerrilla fighter José Mujica.

Three interconnected stories explore the complicated relationships of young, attractive Argentinian adults searching for true love

Four woman of different generations. Their bodies and faces confronted with a tender and ruthless camera. Explicit and implicit movements; intimacy, shyness and extravagance in a mysterious choreography. A magnifying glass that explores and amplifies their moods, and silences: a shared loneliness.

A woman locks herself in the bathroom. It’s late at night and everything -and everybody- will remain outside her small, claustrophobic world. But before the new day arrives he will knock at the door. This is a combination of dance and the cinematic exploration of the tension between loneliness and contact, a tension we could call intimacy.

Lo Rojo is an experimental collaboration between a musician, a filmmaker and a dancer. The film obsessively explores the dancer's movement to the rhythm of Murga, the popular Mardi Gras music of Buenos Aires. The gaze of the camera enters the female body, making its shapes explode into multiple fragments: the heartbeat, the blood, the red.