Michelangelo Frammartino

Sergio Cortesi dedicated his life to solar observation. At the “Specola solare” in Locarno, between 1957 and 2021, he made over 15.000 sunspots drawings, driven by the faith of a monk to whom his own god never gave an answer.

In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.

In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.

In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.

An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.

An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.

In 1950, the small Calabrian village of Caulonia still numbered nearly 15,000 souls, but there now remain no more than a few hundred. A phlegmatic old man and a young disabled woman are among the last inhabitants who haunt the deserted village. They seem to be waiting apathetically for their end and resemble the old boat abandoned on the shore. Il Dono is the story of those who have left, told by those who have stayed; a tale of disaster and exodus.

In 1950, the small Calabrian village of Caulonia still numbered nearly 15,000 souls, but there now remain no more than a few hundred. A phlegmatic old man and a young disabled woman are among the last inhabitants who haunt the deserted village. They seem to be waiting apathetically for their end and resemble the old boat abandoned on the shore. Il Dono is the story of those who have left, told by those who have stayed; a tale of disaster and exodus.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.