Michelangelo Frammartino

Sergio Cortesi dedicated his life to solar observation. At the “Specola solare” in Locarno, between 1957 and 2021, he made over 15.000 sunspots drawings, driven by the faith of a monk to whom his own god never gave an answer.

En agosto de 1961, los espeleólogos del floreciente norte de Italia llegan a una meseta de Calabria donde el tiempo parece haberse detenido. Los intrusos descubren una de las cuevas más profundas del mundo, el Abismo de Bifurto, bajo la mirada de un viejo pastor, único testigo del territorio virgen.

En agosto de 1961, los espeleólogos del floreciente norte de Italia llegan a una meseta de Calabria donde el tiempo parece haberse detenido. Los intrusos descubren una de las cuevas más profundas del mundo, el Abismo de Bifurto, bajo la mirada de un viejo pastor, único testigo del territorio virgen.

En agosto de 1961, los espeleólogos del floreciente norte de Italia llegan a una meseta de Calabria donde el tiempo parece haberse detenido. Los intrusos descubren una de las cuevas más profundas del mundo, el Abismo de Bifurto, bajo la mirada de un viejo pastor, único testigo del territorio virgen.

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.

Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.

Una visión poética de los ciclos de la vida y de la naturaleza, de las tradiciones olvidadas de un lugar fuera del tiempo. Una película de ciencia ficción sin efectos especiales, que acompaña al espectador a un mundo desconocido y mágico, para descubrir el secreto de cuatro vidas misteriosamente entrelazadas entre sí.

Una visión poética de los ciclos de la vida y de la naturaleza, de las tradiciones olvidadas de un lugar fuera del tiempo. Una película de ciencia ficción sin efectos especiales, que acompaña al espectador a un mundo desconocido y mágico, para descubrir el secreto de cuatro vidas misteriosamente entrelazadas entre sí.

In 1950, the small Calabrian village of Caulonia still numbered nearly 15,000 souls, but there now remain no more than a few hundred. A phlegmatic old man and a young disabled woman are among the last inhabitants who haunt the deserted village. They seem to be waiting apathetically for their end and resemble the old boat abandoned on the shore. Il Dono is the story of those who have left, told by those who have stayed; a tale of disaster and exodus.

In 1950, the small Calabrian village of Caulonia still numbered nearly 15,000 souls, but there now remain no more than a few hundred. A phlegmatic old man and a young disabled woman are among the last inhabitants who haunt the deserted village. They seem to be waiting apathetically for their end and resemble the old boat abandoned on the shore. Il Dono is the story of those who have left, told by those who have stayed; a tale of disaster and exodus.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.

2 minutes where we observe a dog who can't enter a supermarket.