Producer
The True Story of Ted Kaczynski, the infamous Unabomber, who wants to destroy modern technology to create a world for himself in the Montana wilderness.
Writer
The True Story of Ted Kaczynski, the infamous Unabomber, who wants to destroy modern technology to create a world for himself in the Montana wilderness.
Director
The True Story of Ted Kaczynski, the infamous Unabomber, who wants to destroy modern technology to create a world for himself in the Montana wilderness.
Director of Photography
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Producer
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Director
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Writer
An unexpectedly modern take on a tale of two Viking warriors abandoned on the American coast. Warning – contains a graphic answer to the question: do Vikings sh*t in the woods?
Orn
An unexpectedly modern take on a tale of two Viking warriors abandoned on the American coast. Warning – contains a graphic answer to the question: do Vikings sh*t in the woods?
Director
An unexpectedly modern take on a tale of two Viking warriors abandoned on the American coast. Warning – contains a graphic answer to the question: do Vikings sh*t in the woods?
Set Designer
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Editor
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Cinematography
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Story
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Director
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
