Producer
산속 작은 오두막에 은둔 생활을 하고 있는, 세상을 등진 천재 수학자 ‘존 카진스키’ 산업화와 산림개발 등으로 자신의 오두막이 파괴되고 생계를 위협받자 세상에 대한 증오가 극에 달하고 무정부주의에 눈을 뜨면서 산업사회에 복수를 결심한다. 사제 폭발물 제조법을 독학으로 익혀 여러 차례 시험을 거친 후 세상을 바꿀 테러를 계획하게 되는데…
Writer
산속 작은 오두막에 은둔 생활을 하고 있는, 세상을 등진 천재 수학자 ‘존 카진스키’ 산업화와 산림개발 등으로 자신의 오두막이 파괴되고 생계를 위협받자 세상에 대한 증오가 극에 달하고 무정부주의에 눈을 뜨면서 산업사회에 복수를 결심한다. 사제 폭발물 제조법을 독학으로 익혀 여러 차례 시험을 거친 후 세상을 바꿀 테러를 계획하게 되는데…
Director
산속 작은 오두막에 은둔 생활을 하고 있는, 세상을 등진 천재 수학자 ‘존 카진스키’ 산업화와 산림개발 등으로 자신의 오두막이 파괴되고 생계를 위협받자 세상에 대한 증오가 극에 달하고 무정부주의에 눈을 뜨면서 산업사회에 복수를 결심한다. 사제 폭발물 제조법을 독학으로 익혀 여러 차례 시험을 거친 후 세상을 바꿀 테러를 계획하게 되는데…
Director of Photography
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Producer
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Director
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Writer
An unexpectedly modern take on a tale of two Viking warriors abandoned on the American coast. Warning – contains a graphic answer to the question: do Vikings sh*t in the woods?
Orn
An unexpectedly modern take on a tale of two Viking warriors abandoned on the American coast. Warning – contains a graphic answer to the question: do Vikings sh*t in the woods?
Director
An unexpectedly modern take on a tale of two Viking warriors abandoned on the American coast. Warning – contains a graphic answer to the question: do Vikings sh*t in the woods?
Set Designer
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Editor
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Cinematography
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Story
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
Director
A fantasy world spawned from sound. Three time periods and three narratives, one connection-blood. At the center of this life force is the heart.
