Jung Ae-hwa

Still feeling guilty about her granddaughter′s death, Yebun spends her days in pain. Meanwhile, Okim, Yubun’s old friend in the village, passes away from an illness. Yebun briefly takes care of Jiyeoon, Okim’s granddaughter and her own deceased granddaughter’s friend.

A struggling filmmaker finds unexpected solidarity and validation when she takes on the job of restoring a classic 1960s film directed by the first known female South Korean director.

O-bok’s eldest daughter is about to get married to an educated, well-off young man, but she’s far from happy. It’s not just hot weather, hot flushes, her daughters’ materialism, her mother’s dementia, her husband’s drinking, or the impending gentrification of the food market where she sells fish – although all of that will push her to take a stand. After trying to cover it up, O-bok reveals to her daughter that she was raped by a fellow stallholder, the man organising the traders against their landlords. Increasingly furious, O-bok eschews the useless police to pursue her own justice, even if it means a physical fight.

Six years after her son went missing, dedicated mother Jung-Yeon still hasn't lost hope - even after her husband's shocking accident while rushing to follow up on a potential sighting. Although she's in mourning, drowned in despair for her losses, she doesn't give up. Just when everything feels like it's in vain, she hears about a young boy living in a fishing community outside the city who seems to resemble her lost son. Facing strange surroundings and corrupt cops covering up child abuse, Jung-yeon may not be able to handle all the obstacles in her way, let alone fend for herself.

When a school girl disappears, suicide is suspected, and one of her classmates is suspected of having goaded her into it.

Despite her disabled leg, the Ph.D. student Jae-yeon is a brilliant researcher with a rare ability to communicate with nature. Having been hurt by her hypocrite colleague and lover, she turns her back to the world and goes deep into the forest to live alone in a glass garden.

A high school student thinks disgust is the real feelings she can feel. Before the election of the school president, she is looking for her classmate who has been abused by her and quit middle school.

Soo-Kyung (Lee Yo-Won) works as a reporter. She has an older brother, Sung-Ho (Jeong Man-Sik), and younger sister, Joo-Mi (Esom). She thinks of her two siblings as burdens. One day, Nak (Jung Joon-Won) appears in front of them. He is their youngest sibling.

After 17 years that Chang-ryeol has spent watching French movies in his room out of his love for French films, he (finally) became a real French. His parents worry about their son so they decide to call in a French doctor, Truffaut for help.

Since she was young, Soo-Nam has been able to do anything well with her hands. She holds 14 different certificates for typing excellence, but a computer takes over her job. Luckily, she finds a new job and marries. Soo-Nam and her husband decide to buy a house. They take out a loan to pay for their home. Soo-Nam works hard to pay off the loan, but she falls into more debt. Then an opportunity arises to pay off all her debts at once.

The four male characters in this film don’t seem to have much in common: a college student who accidentally comes across a sex tape of his girlfriend, an unemployed man lives at the mercy of his wife. The third man lives with his ill mother and finally, Min Gi who works as a pick-up artist teaching seduction skills. The four men head to the flashy nightclub, leaving behind their life troubles.

For Jung Han, dancing is a direction of life and an escape from reality. Jeonghan dances at a gay club at night. Jeonghan's mother, Insuk, is not happy with such a son.

Detective Kang gets involved with a drug business to pay the medical bill of his comatose wife. Min-woo confesses to Kang that he has killed his wife, who knows his past. Slowly, Kang realizes his wife's incident and Min-woo are connected.