François Regnault

Damien is a professor of Chinese civilization who lives with his wife, Iva, a theater director, and their son Noé. Their love is mired in a mountain of routine and disenchantment. To help keep Zorica from getting deported, Iva gets Damien to promise he’ll go to his father, a state department official, for help. But Damien and his father have a distant and cool relationship. And this mission is a risky business which will send Damien spiraling downward and over the edge...

Do you know Lacan, which many consider as the greatest psychoanalyst since Freud? Beyond the myth, the legends and sometimes, the curses, this film by Gérard Miller allows us to discover his work and his personality, through the testimony of his patients, his students, and also his relatives. Born with the XXth century into an upper-middle-class Catholic family, a psychiatrist by training, with an encyclopaedic knowledge of culture, a friend of Picasso, Levi-Strauss and Sartre, Lacan was a great theoretician, an outstanding practitioner, and he remains the most modern, the most challenging and even the most sulphurous of psychoanalysts. The director Gerard Miller met Lacan thanks to his brother, Jacques-Alain, the most faithful of his students, who married his daughter Judith. Their close and intense relationship makes this film exceptional.

When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.

Like every weekend senator Henri Pagès and his wife entertain guests at their beautiful mansion in a peaceful village near Paris. But this time around, things go awry: Pierre Collier, a psychoanalyst and consummate womanizer, is brutally murdered. Claire, his wife, dazed and confused by his corpse, with a smoking gun still in her hand, seems to be the ideal culprit...

French television adaptation of Henrik Ibsen's five-act play in verse.

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.