François Regnault

Damien is a professor of Chinese civilization who lives with his wife, Iva, a theater director, and their son Noé. Their love is mired in a mountain of routine and disenchantment. To help keep Zorica from getting deported, Iva gets Damien to promise he’ll go to his father, a state department official, for help. But Damien and his father have a distant and cool relationship. And this mission is a risky business which will send Damien spiraling downward and over the edge...

Do you know Lacan, which many consider as the greatest psychoanalyst since Freud? Beyond the myth, the legends and sometimes, the curses, this film by Gérard Miller allows us to discover his work and his personality, through the testimony of his patients, his students, and also his relatives. Born with the XXth century into an upper-middle-class Catholic family, a psychiatrist by training, with an encyclopaedic knowledge of culture, a friend of Picasso, Levi-Strauss and Sartre, Lacan was a great theoretician, an outstanding practitioner, and he remains the most modern, the most challenging and even the most sulphurous of psychoanalysts. The director Gerard Miller met Lacan thanks to his brother, Jacques-Alain, the most faithful of his students, who married his daughter Judith. Their close and intense relationship makes this film exceptional.

주농, 아벨 부부는 유전병으로 골수이식이 필요한 아들을 살리고자 아이를 낳았지만 실패했다. 세월이 흘러, 맏딸 엘리자베스는 빚을 갚아주는 조건하에 집안의 악동 앙리를 추방시키지만 주농이 유전병에 걸리면서 모두 한자리에 모인다. 데플레생의 떠들썩한 세계가 한여름 밤의 꿈처럼 펼쳐진다.

Like every weekend senator Henri Pagès and his wife entertain guests at their beautiful mansion in a peaceful village near Paris. But this time around, things go awry: Pierre Collier, a psychoanalyst and consummate womanizer, is brutally murdered. Claire, his wife, dazed and confused by his corpse, with a smoking gun still in her hand, seems to be the ideal culprit...

French television adaptation of Henrik Ibsen's five-act play in verse.

1835년, 노르망디의 작은 마을. 청년 피에르 리비에르는 어머니와 여동생 그리고 어린 남동생까지 모두 살해한다. 이 끔찍한 사건을 벌인 후 체포된 피에르는 재판을 기다리는데, 그는 그동안 어떤 일이 있었는지 써내려 가기 시작한다. 프랑스 철학자 미셸 푸코는 실제 일어났던 존속살해사건에 대한 방대한 자료들을 정리해 동명의 책을 펴냈고, 이를 알리오가 영화화했다. 알리오는 「카이에 뒤 시네마」의 편집인이자 시나리오작가인 파스칼 보니체와 세르주 투비아나와 함께 각색 작업을 했으며, 사건이 일어났던 마을에서 실제 주민들을 섭외해 촬영하여 긴장감과 리얼리티를 배가시켰다.