Laura Rodríguez

A soldier is between life and death. A strange being presents him with a curious game that will determine his future.

In the polarized and violent Medellín (Colombia's 'City of Eternal Spring') of the 1970s, doctor Héctor Abad Gómez is concerned about both his children and children from less favored classes. After a devastating loss in the family, Héctor gives himself to the greater cause of public health programs for the poor in Medellín to the consternation of the city's authorities.

A man passionate about rumba learns its history — and lessons on love — by dancing his way through various genres, from merengue to reggaeton.

Malena is an attractive woman, psychoanalyst of profession and tango dancer by devotion. One night she kills accidentally a man and decides to hide her crime. Days after, she sees in the news the man’s wife and little daughter: he was a policeman. In her plan, Malena meets Carlos, work companion of the dead policeman who is investigating his disappearance. He is of Vasc origin and they call him “the Sabina,” because sometimes he answers using phrases of the songs of the artist. A strange fascination captures Malena with “the Sabina,” the man who has to discover the crime she committed and take her to prison. Since the beginning, the relationship between them is passionate and transgressor, without moral limits.

A macabre sect offers revenge to women who have suffered gender violence.