Laura Rodríguez

A soldier is between life and death. A strange being presents him with a curious game that will determine his future.

Картина снята по одноимённому роману колумбийского писателя Гектора Абада Фасиолинса, перенёсшего на страницы книги историю своего отца — врача и активиста Гектора Абада Гомеса. В жизни тот отстаивал права людей из бедных слоёв общества Медельина — города, чьё население, как он считал, нуждалось в его защите. Стремление к лучшей жизни для всех в конечном итоге привело мужчину туда, откуда не возвращаются.

A man passionate about rumba learns its history — and lessons on love — by dancing his way through various genres, from merengue to reggaeton.

Malena is an attractive woman, psychoanalyst of profession and tango dancer by devotion. One night she kills accidentally a man and decides to hide her crime. Days after, she sees in the news the man’s wife and little daughter: he was a policeman. In her plan, Malena meets Carlos, work companion of the dead policeman who is investigating his disappearance. He is of Vasc origin and they call him “the Sabina,” because sometimes he answers using phrases of the songs of the artist. A strange fascination captures Malena with “the Sabina,” the man who has to discover the crime she committed and take her to prison. Since the beginning, the relationship between them is passionate and transgressor, without moral limits.

A macabre sect offers revenge to women who have suffered gender violence.