Charles L. Bitsch

Fourty-six years since the release of Le mépris, Jean-Luc Godard watches the film again to comment on it and its tumultuous production. Featuring interviews with: Jacques Rozier, Alain Bergala, Michel Piccoli, Charles Bitsch.

Documentary about director Jean-Luc Godard and Anna Karina. In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"

Making of Jean Luc Godard's Alphaville (1965)

A 1969 film by Charles L. Bitsch.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

A secret agent works with a scientist to recover documents outlining a new formula to make fuel.

Four sketches revolving around the themes of luck and love.

A portmanteau film in which the producer, instead of as usual using already well known directors with a commercial draw, allowed five new young directors to each have a crack at an episode about romance.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

Four short films by four different directors dealing with the principles of modern life.

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.

A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.

Four attractive young women who work together in an appliance store in Paris spend their free time looking for love and fulfilment with little success. High-spirited Jane is picked up by a couple of lechers who are only interested in one thing. Ginette hopes to become a great singer but is forced to perform in a seedy music hall. Rita is engaged to a man who appears more concerned with pleasing his parents than caring about her. Only the reserved Jacqueline seems to have found true romance. But is the mysterious figure on a motorcycle really the man of her dreams?

Four attractive young women who work together in an appliance store in Paris spend their free time looking for love and fulfilment with little success. High-spirited Jane is picked up by a couple of lechers who are only interested in one thing. Ginette hopes to become a great singer but is forced to perform in a seedy music hall. Rita is engaged to a man who appears more concerned with pleasing his parents than caring about her. Only the reserved Jacqueline seems to have found true romance. But is the mysterious figure on a motorcycle really the man of her dreams?

Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.

Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.

Véronique gives a mathematics lesson to a dunce who answers the prepared questions with disconcertingly sound answers.

Claire (Vitry) is a chic young Parisian woman married to a somewhat older husband, Jean (Doniol-Valcroze). As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude (Brialy) at his apartment; after some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband though?

Claire (Vitry) is a chic young Parisian woman married to a somewhat older husband, Jean (Doniol-Valcroze). As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude (Brialy) at his apartment; after some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband though?

Some time after marrying a sensual girl, Pozdnychev realizes the only link to his spouse is that of physical love. When a violinist with whom his wife plays regularly the “Sonata to Kreutzer” appears, the young woman blooms in a new passion. From then on, her husband is eaten away by jealousy.

Paris rendered as a labyrinth of intrigues. Filmed in Parisian parks and on a terrace, LE DIVERTISSEMENT foreshadows the labyrinthine walks that would be a part of Rivette’s cinema, in which the characters look for, follow and find each other like in a romantic scavenger hunt.