Co-Producer
A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
Co-Producer
In the desert of Crestone, Colorado, a group of SoundCloud rappers live in solitude, growing weed and making music for the internet. When an old friend arrives to make a movie, reality and fiction begin to blur.
Production Coordinator
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
Associate Producer
SUBJECT TO REVIEW charts the rise of the instant replay system Hawk-Eye in professional tennis, probing how the technology exposes deeper questions of spectacle, justice, and imperfect human knowledge.
