Director
Akira
It is the middle of summer in Onomichi in the 1970s, and 22-year-old Akira returns home with Yoshioka, his senior at university. Akira offers his parents' house to Yoshioka, whom he likes, and suggests that they spend their summer vacation together. To keep the senior occupied, Akira comes up with the idea of inviting a girl to go out and play. He asks his childhood friend Fumie to find some girls who are bored, and Miko, who has a bit of an unusual personality, joins him, and the four of them start hanging out. Eventually, Yoshioka's eyes on Meeko grow hotter and hotter, which annoys Akira.
Director
It is the middle of summer in Onomichi in the 1970s, and 22-year-old Akira returns home with Yoshioka, his senior at university. Akira offers his parents' house to Yoshioka, whom he likes, and suggests that they spend their summer vacation together. To keep the senior occupied, Akira comes up with the idea of inviting a girl to go out and play. He asks his childhood friend Fumie to find some girls who are bored, and Miko, who has a bit of an unusual personality, joins him, and the four of them start hanging out. Eventually, Yoshioka's eyes on Meeko grow hotter and hotter, which annoys Akira.
Taizo Kamata
A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.
(segment "Low Resolution, High Emotion")
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
Kyupi
A university orders that old, decrepit Konoe Dormitory be rebuilt, to the opposition of the students who still occupy and maintain it. Movie version with additional scenes of the 2018 NHK's drama show.
Yuya Nakajima
Ryota Tanaka, a young man who was struggling to become a manga artist in Tokyo, came back to his hometown in Fukuoka, feeling the limits of his dream. It was a part-time job at the local life extension zoo that introduced Ryota, who was in the old friend's room, without relying on his parents' home. While working with the director Noda and veterinarian Aya Ishii, Ryota knew that this is a rare zoo in the world that puts emphasis on “animal welfare” that puts animal health and happiness first. However, the management of the garden is in a critical situation due to the budget reduction, and Ryota decides to draw a comic again to convey this effort with her own picture...
Yu Yamauchi
Periods are depicted as pink, heart-shaped sentient beings that harass women on a monthly basis, delivering awful gut punches, but also offering a shoulder to cry on.
Tatsuo Suzuki
Ichiko works as a private nurse for a family she almost became a part of. While Ichiko cares for the grandmother, she is also a confidant to Motoko, the eldest sister. But one day, Motoko’s younger sister disappears. And the media soon reveal the kidnapper to be Ichiko’s own nephew.
Yuta is a high school student living in Shizuoka, Japan. His strong sense of justice makes him upset at the politics and bias in school. To change the situation, Yuta, together with four disgruntled friends, devises a plan to influence a mutiny at school.
A young man who's failed the Tokyo University of the Arts exam five times is jealous of a talented high school artist who eventually helps him unlock his hidden potential. -JAPAN CUTS: Festival of New Japanese Film