Craig Conybeare

Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

Billy Hill and Jack 'Spot' Comer were among the most notorious criminals in London up until the 1950s. Dramatising the violent reign of two of London's most notorious gangsters, Billy Hill (Leo Gregory) and Jack 'Spot' Comer (Terry Stone), ONCE UPON A TIME IN LONDON charts the legendary rise and fall of a nationwide criminal empire that lasted until the mid-fifties and which paved the way for the notorious Kray Twins and The Richardsons. This is the story of their rise and fall.

There’s a sense that time is running out. Our narrator, Simon, is like a man sinking in quicksand. He’s a man of routine. Rising, dressing, travelling to work on the DLR. Every day is the same. His sense of self is slipping away as he becomes (perhaps literally) someone else. It’s a similar story for Dr Benham, stuck in his STD clinic watching a parade of patients come and go. In his parallel story of metamorphosis he’s being spat out by his own life. He too is becoming a different person, from the feet up.