Phil Boutelje

Paramutual Pictures wants to know where all the money is going so they hire Morty to be their spy. Morty works for Mr. Sneak and gets a job in the mail room so that he can have access to the lot. But all that Morty ever finds is that he can cause havoc no matter what he does.

After his girl leaves him for someone else, Herbert gets really depressed and starts searching for a job. He finally finds one in a big house which is inhabited by many, many women. Can he live in the same home with all these females?

A young doctor falls in love with a disturbed young woman and apparently becomes involved in the death of her husband. They head for Mexico trying to outrun the law.

When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.

When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.

When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.

It's no accident when wealthy Charles falls for Jean. Jean is a con artist with her sights set on Charles' fortune. Matters complicate when Jean starts falling for her mark. When Charles suspects Jean is a gold digger, he dumps her. Jean, fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles' life. With love and payback on her mind, she re-introduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

A Chicago con man pays an actor to pose as a slain South American dictator.

A seductive music hall star falls in love with a married aristocrat.

Mr. Morris, the owner of a large metropolitan department store, gives jobs to paroled ex-convicts in an effort to help them reform and go straight. Among his 'employed-prison-graduates' are Helen Roberts and Joe Dennis, working as sales clerks. Joe is in love with Helen and asks her to marry him, but she is forbidden to marry as she is still on parole, but she says yes and they are married. In spite of their poverty-level life, their marriage is a happy one until Joe discovers she has lied about her past, in order to marry him. Disillusioned, he leaves, goes back to his old gang and plans to rob the department store.

An ad man gets his model girlfriend to pose as a debutante for a new campaign.

After the woman who raised him claims he's not her son, Richard searches for clues about his identity. Urged on by his mentor, Capt. Randolph Courtney, Richard focuses on Julia Trent Anders, a middle-aged actress who just might be his real mother. But soon, Richard begins to fall for Julia's stepdaughter. Amidst the upheaval, Richard schemes to return Julia to the stage -- but he's in for another big surprise.