Kazunari Tanaka

Movies

R100
Director of Photography
Ruthless dominatrixes pursue a mild-mannered salesman who wants to get out of his unbreakable contract with a secret bondage club.
Phone Call to the Bar
Director of Photography
In the Susukino red light district of Sapporo, a private detective (Yo Oizumi) drinks alcohol with his driver Takada (Ryuhei Matsuda) in his favourite bar. There he receives a phone call from a woman who identifies herself as Kyoko Kondo. The woman asks the detective to complete a simple task. The detective, having an excellent sense for danger, thinks the work is easy and accepts the case. The next day he begins the investigation.
Brass Knuckle Boys
Director of Photography
A record company office worker named Kanna discovers a punk rock band called Shonen Meriken Sakku (Brass Knuckle Boys) through the internet and subsequently decides to represent them on behalf of her company. What Kanna did not know was that the Brass Knuckle Boys consists of all middle aged men.
Brass Knuckle Boys
Director
A record company office worker named Kanna discovers a punk rock band called Shonen Meriken Sakku (Brass Knuckle Boys) through the internet and subsequently decides to represent them on behalf of her company. What Kanna did not know was that the Brass Knuckle Boys consists of all middle aged men.
Kamen Rider: The Next
Director of Photography
Bent on the destruction of the human race, the secret underground organization Shocker secretly planned to plunge the world into chaos. But they didn’t count on the revolt of both of their experimentally “reconstructed” human beings, the Kamen Riders. Two years after their first battle with Shocker, a 3rd Rider arises to confront them, known only as “Version 3.” The arrival of the third Kamen Rider will hurl the heroes into their most terrible battle yet and the fate of the world hangs in the balance.
Kamen Rider: The First
Director of Photography
Takeshi Hongo is a man of extraordinary intellect, but his promising future is about to be maliciously snuffed out by and evil secret society known as Shocker. Reinvented against his will and transformed into a powerful experimental cyborg, Hongo will forever be known as Kamen Rider The First.
The Negotiator
Director of Photography
After a convenience store robbery, three unidentified men hold a group of people hostage in a hospital. Inspector Ishida and Captain Tohno handle the negotiations while one of their colleagues, Lt. Ando, tries to find out why the men decided to take the hospital hostage. Through flashbacks, relevant information is revealed to the audience. When the negotiations are finished, most things seem to be fine until they lose track of the criminals. Then, the story unveils from a different perspective, its roots in feelings of love and vengeance.
Gozu
Director of Photography
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.
The Man in White
Cinematography
After his father figure like mafia boss is murdered, Azusa Moribe (Masaya Sato) goes on a one man killing spree to exact revenge.
Jam Films
Director of Photography
Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.
Dead or Alive: Final
Director of Photography
Set in a post apocalyptic Yokohama where the population is kept under rigid control by a homosexual megalomaniac mayor. The citizens are administered drugs to suppress heterosexual urges. Officer Takeshi Honda is a hard boiled cop enforcing the mayor's agenda, and Ryō is a mellowed out drifter that hooks up with a gang of rebels. When the gang kidnap Takeshi's son, it begins a series of events leading to an inevitable showdown.
Dead or Alive 2: Birds
Director of Photography
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
Remembering the Cosmos Flower
Director of Photography
Akiko returns to her home village in Japan after seven years in South America, where she contracted AIDS from a blood transfusion. The town, thick with paranoia, is quick to ostracize the ailing Akiko. With only her best friend and her mom in her corner, Akiko suffers awful discrimination at school and at home.