From Golden Bear winner Radu Jude, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD takes a fierce and darkly comic swipe at modern day life. Overworked and underpaid production assistant Angela (Ilinca Manolache) is assigned to film a workplace safety video for a multinational corporation in Bucharest. When one of the interviewees makes a statement that ignites a scandal, Angela has to re-invent the story. Featuring appearances from Nina Hoss, Uwe Boll, and Angela’s TikTok alter-ego Bobiță, Jude’s anarchic satire is a wild and unforgettable ride through the vulgar indignities of the 21st century.
A night. Dozens of stories. A city. Lică, a taxi driver, is an all knowing guy, while Liviu, his friend, also a taxi driver keeps a lot to himself. They are completely different and their ideas about life and people only meet when they are eating and drinking at the bar. They are frustrated with their jobs. For Lică money is the most important thing, while Liviu thinks that a happy and fulfilling life represents more. They are trying to rediscover who they are and what they can do with their life, all while being on an on going adventure on the streets of Bucharest where they cross paths with all kinds of clients who end up having an impact on their lives, for better and also for worse.
Writer
A night. Dozens of stories. A city. Lică, a taxi driver, is an all knowing guy, while Liviu, his friend, also a taxi driver keeps a lot to himself. They are completely different and their ideas about life and people only meet when they are eating and drinking at the bar. They are frustrated with their jobs. For Lică money is the most important thing, while Liviu thinks that a happy and fulfilling life represents more. They are trying to rediscover who they are and what they can do with their life, all while being on an on going adventure on the streets of Bucharest where they cross paths with all kinds of clients who end up having an impact on their lives, for better and also for worse.
A frothy comedy about life in the corporation, about the challenges of building a career and those of consolidating and motivating a team. The film, a satire of corporate life, reveals the events of a team building in which the robotic corporativism unleash themselves and unleash themselves by showing their human side.
Pavel
Mia, a young actress, is slapped by her boyfriend. That does it. She moves back home and starts planning her revenge. She decides to make a sex video to send to her ex. She just needs to find a man to make it with. And that’s when it turns out things are not that simple.
