Pamela Katz

A German woman in New York is busy redesigning her life from model to designer, but is forced to live with her husband’s ex-wife when he disappears.

HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

Hannah, a young Jewish girl, is rescued from a concentration camp by her Polish boyfriend, and believes he died after their perilous escape. More than 30 years later, the married Hannah faces an emotional crisis when she learns he's alive.

A German couple travels, shortly after reunification, to the Netherlands. Happiness does not last long. The wife receives a letter from an unknown woman.

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Nick and Charlotte are a married couple. As both are more than busy earning money, there is no time for love or sex - only Tuesdays. Soon, Charlotte finds a lover, Luis, who is an unsuccessful, married artist. He and his wife Eva also have no time for sex, as Eva has to support her artist and the couple's 3 and 6 year old kids by working in a restaurant. The secret affair of Luis and Charlotte lasts quite a while, they decide to spend a romantic week in Venice, Italy. But by accident, Eva finds out about the couple and their destination. She forces Nick, Charlotte's husband, to join her on a trip to Venice in order to restore her marriage as well as his.

Movie-making cliches are parodied in this German comedy which features to warring actresses, meddling producers, indulgent directors, and an ignored writer. Not only must they contend with each other, they must also deal with the bankers who have the power to shut them down at any moment. The story begins at the premier of director Viktor Rote's newest film "The Tin Cat," which stars his popular wife Riki Rote. The film's writer and Viktor's brother Richard is miffed when he is not allowed into the screening. Viktor's ambitious mistress and aspiring star the Nina is also not invited in. The film is a hit so Rote is allowed to begin his new film by producer George Kuballa. George is also head of the studio. His rich and frequently rejected wife is Lore, a major financial studio backer who prefers spending her time consorting with her handsome young chauffeur.

A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.

Down-and-out private detective Harry Angel is ordered by the mysterious Louis Cyphre to go on a mission to find a missing person. His routine failure soon leads to a bloody spar with himself, as he goes on a supernatural journey into his own soul.

Guided by seasoned New Yorkers, political figures, and cultural connoisseurs, "Empire City" examines Manhattan and its surrounding boroughs in order to paint a portrait of the ever-evolving metropolis. Appearing to be both adaptable and stubbornly stagnant, New York is a city of juxtapositions. As our narrator notes, "The city is too big, too diverse, and too complex for anyone to comprehend. New York is many cities interlaced with one another, each in constant independent motion."