Hugues Darmois

The story takes place in Carhaix, in the heart of Brittany. A small hospital, with a calm maternity clinic, where few births take place. Mathilde, a mid-wife, Firmine, a pediatric nurse, and Louise, the owner of the Carhaix bowling alley, are all friends and lead a happy existence. Catherine, director of the establishment's Human Resources, is sent to restructure the hospital and, most importantly, to eventually shut down the maternity clinic, which is losing money. Four women whose age, personalities, and origins are different, but who will form a quartet overflowing with humanity and humor as they join forces to save the clinic. Life, love, friendship, Brittany and... bowling.

Zachary is 20 years old. Dark and independent, he collects amorous conquests and school failure. Sarah is 18 years old. First class, fragile, she fills her emotional gaps with perfect control of his life. Nothing should close and yet, the year of the tank, for six months, they will live a love against which nothing can be, the true, the big one that marks a life forever.

A married father of three, lives in Créteil doing odd jobs and spends his time at the local PMU bar. One day, to please his daughter, he promises a little too quick to take the whole family on vacation to ski. The only problem: if he breaks his promise, his wife will divorce him.

A married father of three, lives in Créteil doing odd jobs and spends his time at the local PMU bar. One day, to please his daughter, he promises a little too quick to take the whole family on vacation to ski. The only problem: if he breaks his promise, his wife will divorce him.

After her mothers death, Grace, 14, decides to go back to Africa to find her father whom she hasn't seen since her parents divorced. After his plane crashes in the desert, her father gets caught by diamond hunters. Grace follows her fathers route along with family friend Kadjiro...

The film takes place in Paris, where two cops are competing for the vacant seat of chief of police while in the middle of a search for a gang of violent thieves. The movie is directed by Olivier Marchal, a former police officer who spent 12 years with the French police before creating this story, which is taken in part from real facts that happened during the 1980s in France.

The film takes place in Paris, where two cops are competing for the vacant seat of chief of police while in the middle of a search for a gang of violent thieves. The movie is directed by Olivier Marchal, a former police officer who spent 12 years with the French police before creating this story, which is taken in part from real facts that happened during the 1980s in France.

Franck Chaievski and Nina Delgado are two undercover detectives of a French special force trying to identify two corrupts members of the Paris Police Force. Franck is pretending to be a gangster and Nina a prostitute living with him, and involved in a robbery of a fortune in diamonds, having seven deaths and some injured persons.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.

On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

In this Canadian made oddball mix of music and drama, an actress (Carole Laure) in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.

Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.

Robert #1 is played by Charles Denner, while Robert #2 is played by Jacques Villeret. Beyond their common name, the two Roberts are as different as night and day. Oh, there is one more resemblance: both Roberts are lonely, and both hope to meet suitable mates through a computer dating service. As they await the arrival of their new dates, Robert et Robert become fast friends. Of the three favorite film subjects of writer/director Claude Lelouch--romance, crime, and politics--Robert et Robert falls firmly into the first category.