Enrico Salimbeni

Italy, 1952. A government official arrives in a rural town to investigate a shocking crime: the murder of a child by a young boy who claimed to have killed the Devil himself.

Four sixty-something disgraced comedians - who used to work together - find themselves in a retirement home. They'll join forces again, this time to save the place from bankruptcy.

The feat of marathon runner Dorando Pietri, who participated in the London Olympic Games in 1908.

Giuseppe Tornatore traces three generations of a Sicilian family in in the Sicilian town of Bagheria (known as Baarìa in the local Sicilian dialect), from the 1930s to the 1980s, to tell the story of the loves, dreams and delusions of an unusual community.

April 24, 1993: it's the last broadcast of Radiofreccia, a small radio station that's closing after 18 years, barely one minute before coming of age. Bruno, one of its founders, starts to tell its story, which is also the story of a group of friends – especially troubled Freccia's – and a period of their youth in a little Northern Italian town.

Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when they're reached by Rita, Tommaso's daughter.

Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws...

Antonio (Enrico Salimbeni) may not have been the most energetic waiter in the most popular restaurant in this unfashionable Adriatic tourist town, but that is no reason for his boss not to pay him. When he takes the wages that he is owed out of the till, not only does the owner throw him out, but he has him beaten up, to boot. Enzo (Mario Adorf), the owner of a restaurant so far off the beaten track it is widely known as Abissinia rather than being called by its true name, takes him in. The leisurely pace of everything that is done at the restaurant leaves Antonio with plenty of time to put together the story of its owner and the love of his life, and how he, too, fell from culinary glory to his present obscurity.