Stupazzoni
Giocatore Due
Italy, 1952. A government official arrives in a rural town to investigate a shocking crime: the murder of a child by a young boy who claimed to have killed the Devil himself.
Esattore fiscale
Four sixty-something disgraced comedians - who used to work together - find themselves in a retirement home. They'll join forces again, this time to save the place from bankruptcy.
Lauro Terenzi
The feat of marathon runner Dorando Pietri, who participated in the London Olympic Games in 1908.
Alberto Lattuada
Na Itália de 1930, Peppino viveu uma infância problemática. Quando ficou mais velho e viveu no período fascista, descobriu uma grande paixão pela política, entrando para o comunismo. Após a guerra, ele encontra um grande amor.
William Maramotti
Cerino
Barista
Tito
Em 1975, cinco amigos, Freccia, Bruno, Tito, Jena e Boris entendem muito de música, mas eles vivem numa pequena cidade do Norte de Itália e passam maior parte do dia no bar. Aproveitando o boom das rádios locais, decidem criar uma radio independente que se vai tornar a voz de uma geração...
Officer Zamboni
Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when they're reached by Rita, Tommaso's daughter.
Studente dell'Accademia
O filme conta a história de sua juventude, enquanto ela era guiada e protegida por seu pai, o pintor Orazio Gentileschi. Sua curiosidade profissional sobre a anatomia masculina, proibida para seus olhos, levam-na ao conhecimento do prazer sexual. Mas ela também foi bem conhecida porque, em 1612, ela teve que se apresentar à corte, devido à suspeita de estupro cometida por Agostino Tassi, seu professor.
Riccardo Bianchi
Antonio (Enrico Salimbeni) may not have been the most energetic waiter in the most popular restaurant in this unfashionable Adriatic tourist town, but that is no reason for his boss not to pay him. When he takes the wages that he is owed out of the till, not only does the owner throw him out, but he has him beaten up, to boot. Enzo (Mario Adorf), the owner of a restaurant so far off the beaten track it is widely known as Abissinia rather than being called by its true name, takes him in. The leisurely pace of everything that is done at the restaurant leaves Antonio with plenty of time to put together the story of its owner and the love of his life, and how he, too, fell from culinary glory to his present obscurity.