Mariana Anghileri

Ana, a young orphan moves to the house in the forest where her only friend lives. The ambition of her friend's father to take over the nearby lands will awaken an old pagan cult that will use Ana as their only option to protect the place.

After three years behind bars, Búfalo has decided to change his life: resume his relationship with his son, get organized, get a normal job, not make any more mistakes. His past, however, does not intend to let him go and convinces him to take one last hit, but things go very wrong and the debt is now not with society, but with Tano, a complicated guy that he does not plan to wait for.

While evil forces descend on Argentina, humanity’s best hope, a once-legendary shaman is confined to an insane asylum, powerless to avert the demonic resurrection.

In some vacant area in the Buenos Aires province, Diego is taking part in a radio contest that consists of answering a series of questions about his beloved team Racing Club. Meanwhile, in the blink of an eye, a man falls from the sky on the hood of his car, another man ends up gagged in the trunk, a secret agent shows up weapon in hand and a plane crashes just meters away.

Cancer appeared one morning on her right breast and suddenly life became fragile and precious. A filmmaker decided to chronicle time passing, with all its beautiful simplicity. The film diary of a family, pieces of an Argentinian fiction film that wants to be completed, a tumor that dreams to be loved, two hunters looking for something to kill. The film glides between reality and fiction as the filmmaker tries to grasp the essence of his passing life.

Cecilia and her son embark on a journey. On the third day, she is found wandering alone, not remembering what happened during this time. She is desperately looking for her son and finds herself wrapped in a brutal hunt, carried out by a religious fanatic, whom she faces off against. To her, he's a lunatic. To him, Cecilia is the enemy.

After an outbreak of rage, an orchestra of ferocious howls intimidates a humble family who must take refuge in their house in the forest. Locked up and in total isolation, they will resist the situation from their own fears, manifesting atypical features.

Lorenzo is a teenager who lives in Patagonia. One day his family receives in his house to Caíto, the son of some friends who are going through a serious family situation and can not take care of him. He is a complicated kid and has difficulty adapting to the new home. Despite the differences, a unique friendship arises between them. Each has much to learn from the other. Caito, still with his things, has that share of rebellion that Lorenzo needs to break the strict molds in his head and to let his most repressed instincts and passions flow. Home life becomes chaotic but vital and engaging. Caíto is much more than a troublesome boy: he is someone who forces Lorenzo's parents to reopen a dark chapter of their past that they would rather not remember.

Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.

The story focuses on Felipe Mentor, an ambitious and successful entrepreneur forties. Her company, called Mentor, is ascendant, to signing an agreement with a prestigious firm. Personally, Philip is married to a beautiful and charming woman named Luz, who seems to be the perfect woman. She runs her innermost desires and shown to Felipe madly in love and happy. This is because light works for a firm called Hit Life, a company that makes the dreams and aspirations of people from becoming reality.

Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.

The story tells of four moments in the lives of four women: Vera, rising journalist but dissatisfied with life, trying to be the best without knowing where; Lina, always surroended by incense and saints, looking for the love of his life in a television character; Mara Bestelli, who is artificially inseminated without telling her partner that lives abroad; and Inés, whose only goal in life is to marry regardless of the reason for this decision.

After 12 years, Sofía and Rímini decided to separate. While Rímini finds it easy to move on and start a new life, Sofía stays stuck in the past and constantly harasses him. She reappears again and again on Rímini's horizon to reconquer him, torture him or redeem him.

Lucia is a girl of about 30 years, vital, attractive and successful. Live intensely all day despite not having a very happy past. One morning, in the midst of a busy day, receives a mysterious letter. Mindful of the received and true to their character and desires, thinks it's time to leave and start the fundamental quest of her life.

Mariana and Martin have similar lives: the same loneliness, the same neurosis, even the same apartment, but they can’t meet. Their only link is also what separates them: the sidewall.

Pep Munné is an aging plastic surgeon who falls for a young female assistant (Mariana Anghileri) while attending a medical conference. Soon he begins inventing new reasons to spend more time with her. His wife Cristina (María Barranco) begins meeting with a psychiatrist (Jean Pierre Noher) in order to figure out what is going on in her marriage.

A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor's odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he's being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?

While the whole world gets shocked by news on life on Mars, a group of friends lives imprisoned in a mechanical choreography, a farce that can hardly be considered as life.

A young guy's home is taken over by his girlfriend's parents and their doughnut business.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.

A girl wakes up from a coma six weeks after being struck by lightning.