2 November 2004, shortly before nine in the morning. In The Hague, the report comes in that in Amsterdam Theo van Gogh has been murdered. All warning bells start ringing. With the country in flames, sometimes literally, politicians and officials in The Hague have to neutralise all sorts of known and unknown stings, and just when Van Gogh’s cremation seems to herald a period of relative peace, a second explosion follows: the attack on the Hofstad Network in the Laakkwartier in The Hague. A reconstruction of nine days of political high tension and flying dust, a decade after the assassination of the trendsetting filmmaker and TV presenter.
A man finds a phone in the park, while he's walking his dog. When a message comes in from Mohammed, he can't control his curiosity. What follows is a view on a special happening, from the corner of a café.
Mrs. Boon is taken to a nursing home. She can no longer live by herself and her war memories of the Japanese POW camp increasingly determine her life; she is clearly suffering from a concentration-camp syndrome. The young and largely immigrant nursing home staff does not really see what is the matter or know much about the history Mrs. Boon lives in, which elicits some unadulterated racist statements from her. Things grow worse when the new resident Mrs. Cohen arrives, a Jew who survived Auschwitz. And they are not the only ones in the home with a 'war past'.
A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.
