Nuri Bilge Ceylan
Birth : 1959-01-26, Istanbul, Turkey
History
Nuri Bilge Ceylan (born 26 January 1959) is a Turkish film director, photographer, screenwriter and actor. He was the winner of the Palme d'Or, the highest prize at the Cannes Film Festival, in 2014. He is married to filmmaker, photographer, and actress Ebru Ceylan, with whom he co-starred in Climates (2006).
Ceylan's films deal with the estrangement of the individual, existentialism, the monotony of human lives, and the details of everyday life. He uses static shots and long takes, usually in natural settings, as well as play with sound, including the use of menacing silences. He is known for filming his protagonist from behind, which, in his view, leaves the audiences to speculate on the brooding emotions of characters whose faces are obscured. Until Climates, Ceylan's films are made on low budgets, with casts generally consisting of amateur actors, most of whom are family members.
Himself
A documentary about the filming session of the film “The Wild Pear Tree” by Nuri Bilge Ceylan… ‘The Wild Pear Tree’ had been shot in about 14 weeks in Western Anatolia.
Director
A documentary about the filming session of the film “The Wild Pear Tree” by Nuri Bilge Ceylan… ‘The Wild Pear Tree’ had been shot in about 14 weeks in Western Anatolia.
A documentary about the shooting session of the film "Winter Sleep" by Nuri Bilge Ceylan. 'Winter Sleep' had been shot in about 14 weeks in Cappadocia region of Anatolia.
Director
A documentary about the shooting session of the film "Winter Sleep" by Nuri Bilge Ceylan. 'Winter Sleep' had been shot in about 14 weeks in Cappadocia region of Anatolia.
A documentary about the shooting session of the film "Three Monkeys / Üç Maymun" by Nuri Bilge Ceylan. 'Three Monkeys' had been shot in about 2 months in the summer and autumn of 2007 mostly in Yedikule district of Istanbul.
Director
A documentary about the shooting session of the film "Three Monkeys / Üç Maymun" by Nuri Bilge Ceylan. 'Three Monkeys' had been shot in about 2 months in the summer and autumn of 2007 mostly in Yedikule district of Istanbul.
A documentary about the shooting session of the film "Once Upon A Time in Anatolia" by Nuri Bilge Ceylan. 'Once Upon A Time in Anatolia' had been shot in about 11 weeks in the steppes of middle Anatolia close to "Keskin", a middle Anatolian town next to the city of Kirikkale.
Director
A documentary about the shooting session of the film "Once Upon A Time in Anatolia" by Nuri Bilge Ceylan. 'Once Upon A Time in Anatolia' had been shot in about 11 weeks in the steppes of middle Anatolia close to "Keskin", a middle Anatolian town next to the city of Kirikkale.
Screenplay
Sinan is passionate about literature and has always wanted to be a writer. Returning to the village where he was born, he pours his heart and soul into scraping together the money he needs to be published, but his father’s debts catch up with him.
Director
Sinan is passionate about literature and has always wanted to be a writer. Returning to the village where he was born, he pours his heart and soul into scraping together the money he needs to be published, but his father’s debts catch up with him.
Making of documentary of Kasaba is an interesting footage showing how you can shoot a feature with just a focus puller. Yes, the whole crew consist of two people only. Ceylan himself and a focus puller. And that is 35mm pelicule times and black and white Kodak film. Turkish with optional English subtitles.
Director
Making of documentary of Kasaba is an interesting footage showing how you can shoot a feature with just a focus puller. Yes, the whole crew consist of two people only. Ceylan himself and a focus puller. And that is 35mm pelicule times and black and white Kodak film. Turkish with optional English subtitles.
Making of documentary of "Clouds of May / Mayıs Sıkıntısı" is showing the film makers on the set of "Clouds of May" making the director's first film with the production sound. A silent 35mm Aaton camera and Kodak film. Turkish with optional English subtitles.
Director
Making of documentary of "Clouds of May / Mayıs Sıkıntısı" is showing the film makers on the set of "Clouds of May" making the director's first film with the production sound. A silent 35mm Aaton camera and Kodak film. Turkish with optional English subtitles.
Making of documentary of "Uzak / Distant" is showing the film makers on the set of "Uzak". A film shot in 35mm pelicule with an Aaton 35mm camera. With burned in English subtitles.
Director
Making of documentary of "Uzak / Distant" is showing the film makers on the set of "Uzak". A film shot in 35mm pelicule with an Aaton 35mm camera. With burned in English subtitles.
A documentary about the shooting session of the film "Climates / İklimler" by Nuri Bilge Ceylan. The film had been shot in various parts of Turkey in various seasons. Climates is the first digital film of the director Nuri Bilge Ceylan. And besides directing, he is also acting in the film.
Director
A documentary about the shooting session of the film "Climates / İklimler" by Nuri Bilge Ceylan. The film had been shot in various parts of Turkey in various seasons. Climates is the first digital film of the director Nuri Bilge Ceylan. And besides directing, he is also acting in the film.
Director
Editor
Aydin, a retired actor, owns a small hotel in central Anatolia with his young wife Nihal and his sister Necla, who is coping with her recent divorce. During the winter, snow covers the ground and boredom brings the return of old memories, pushing Aydin to flee…
Writer
Aydin, a retired actor, owns a small hotel in central Anatolia with his young wife Nihal and his sister Necla, who is coping with her recent divorce. During the winter, snow covers the ground and boredom brings the return of old memories, pushing Aydin to flee…
Director
Aydin, a retired actor, owns a small hotel in central Anatolia with his young wife Nihal and his sister Necla, who is coping with her recent divorce. During the winter, snow covers the ground and boredom brings the return of old memories, pushing Aydin to flee…
Self - Director
Filmmaker Hermann Vaske explores the creative Balkan world in the hopes of understanding the meaning of "Balkan spirit".
Self
A film director, an actor, a musician, an organizer of festivals, a husband, a father, a grand-father, a friend, a professor... This film is an unexpected meeting with one of the most fascinating European film directors: Emir Kusturica. This is a journey to memory and forgetfulness. Beyond success, money, dependencies and pride. A deeper look into the world of Kusturica and his Wooden city at Mokra Gora. A tale about the won battles, as well as the lost ones. About the everlasting curiosity in filmmaking.
Writer
In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.
Director
In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.
Co-Producer
A family battles against the odds to stay together when small lies grow into an extravagant cover-up. In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses to ignore the truth, not to see, hear or talk about it. But does playing “Three Monkeys” invalidate the truth of its existence?
Editor
A family battles against the odds to stay together when small lies grow into an extravagant cover-up. In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses to ignore the truth, not to see, hear or talk about it. But does playing “Three Monkeys” invalidate the truth of its existence?
Writer
A family battles against the odds to stay together when small lies grow into an extravagant cover-up. In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses to ignore the truth, not to see, hear or talk about it. But does playing “Three Monkeys” invalidate the truth of its existence?
Director
A family battles against the odds to stay together when small lies grow into an extravagant cover-up. In order to avoid hardship and responsibilities that would otherwise be impossible to endure, the family chooses to ignore the truth, not to see, hear or talk about it. But does playing “Three Monkeys” invalidate the truth of its existence?
Co-Producer
Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
Editor
Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
Writer
Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
Isa
Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
Director
Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
Editor
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Director of Photography
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Producer
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Writer
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Director
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Editor
This is a movie within a movie, about a director, Muzaffer, who goes back to his hometown to make a film using a cast of local people (based on the director Ceylan's first feature, Kasaba). While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin leaves his job to help Muzaffer who promises to find him work in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for forty days so that he'll get the watch of his dreams. In the meantime, they form the cast for Muzaffer's movie as well.
Producer
This is a movie within a movie, about a director, Muzaffer, who goes back to his hometown to make a film using a cast of local people (based on the director Ceylan's first feature, Kasaba). While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin leaves his job to help Muzaffer who promises to find him work in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for forty days so that he'll get the watch of his dreams. In the meantime, they form the cast for Muzaffer's movie as well.
Director of Photography
This is a movie within a movie, about a director, Muzaffer, who goes back to his hometown to make a film using a cast of local people (based on the director Ceylan's first feature, Kasaba). While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin leaves his job to help Muzaffer who promises to find him work in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for forty days so that he'll get the watch of his dreams. In the meantime, they form the cast for Muzaffer's movie as well.
Writer
This is a movie within a movie, about a director, Muzaffer, who goes back to his hometown to make a film using a cast of local people (based on the director Ceylan's first feature, Kasaba). While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin leaves his job to help Muzaffer who promises to find him work in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for forty days so that he'll get the watch of his dreams. In the meantime, they form the cast for Muzaffer's movie as well.
Director
This is a movie within a movie, about a director, Muzaffer, who goes back to his hometown to make a film using a cast of local people (based on the director Ceylan's first feature, Kasaba). While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin leaves his job to help Muzaffer who promises to find him work in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for forty days so that he'll get the watch of his dreams. In the meantime, they form the cast for Muzaffer's movie as well.
Director of Photography
Told from the perspective of two children, and in four parts which run parallel to seasons, The Small Town describes the relationships between members of a small-town family. Both brother and sister witness the complexities of the adult world, as well as the mysteries of life and nature.
Producer
Told from the perspective of two children, and in four parts which run parallel to seasons, The Small Town describes the relationships between members of a small-town family. Both brother and sister witness the complexities of the adult world, as well as the mysteries of life and nature.
Writer
Told from the perspective of two children, and in four parts which run parallel to seasons, The Small Town describes the relationships between members of a small-town family. Both brother and sister witness the complexities of the adult world, as well as the mysteries of life and nature.
Director
Told from the perspective of two children, and in four parts which run parallel to seasons, The Small Town describes the relationships between members of a small-town family. Both brother and sister witness the complexities of the adult world, as well as the mysteries of life and nature.
Producer
Koza (Cocoon) is a wordless, non-narrative succession of mystical, pastoral images. The three human characters are an old man, an old woman, and a young boy, who wander among the natural wonders and give the camera soulful looks.
Director of Photography
Koza (Cocoon) is a wordless, non-narrative succession of mystical, pastoral images. The three human characters are an old man, an old woman, and a young boy, who wander among the natural wonders and give the camera soulful looks.
Writer
Koza (Cocoon) is a wordless, non-narrative succession of mystical, pastoral images. The three human characters are an old man, an old woman, and a young boy, who wander among the natural wonders and give the camera soulful looks.
Director
Koza (Cocoon) is a wordless, non-narrative succession of mystical, pastoral images. The three human characters are an old man, an old woman, and a young boy, who wander among the natural wonders and give the camera soulful looks.
Producer
The film follows Samet, a young teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia, while hoping to be assigned to Istanbul. When he and his colleague Kenan are accused of harassment by two female students, he loses all hope of escaping the grim life he seems to be stuck in. But his meeting with Nuray, herself a teacher, may help him overcome his angst.
Writer
The film follows Samet, a young teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia, while hoping to be assigned to Istanbul. When he and his colleague Kenan are accused of harassment by two female students, he loses all hope of escaping the grim life he seems to be stuck in. But his meeting with Nuray, herself a teacher, may help him overcome his angst.
Director
The film follows Samet, a young teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia, while hoping to be assigned to Istanbul. When he and his colleague Kenan are accused of harassment by two female students, he loses all hope of escaping the grim life he seems to be stuck in. But his meeting with Nuray, herself a teacher, may help him overcome his angst.
