Bent Hamer
Birth : 1956-12-18, Norway
History
Bent Hamer (born 18 December 1956) is a Norwegian filmmaker.
Producer
Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.
Writer
Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.
Director
Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.
Producer
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.
Writer
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.
Director
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.
Producer
Adapted from a series of short stories by Norwegian author Levi Henriksen, Bent Hamers Home for Christmas weaves together the lives of people struggling to find their way home on a Christmas Eve, beneath the colors of the Northern Lights. The plot unfolds during a few afternoon hours on Christmas Eve. The individual stories, which at times intertwine, are set in the small town Skogli. The characters in the stories cover a great range in age and life situations, representing both reconciliation with their own lives and strong frustration. Some show the will to understand and do something about their lives, while others have given up. Deeply tragic and melancholy aspects are mixed with humour and rather frivolous solutions.
Screenplay
Adapted from a series of short stories by Norwegian author Levi Henriksen, Bent Hamers Home for Christmas weaves together the lives of people struggling to find their way home on a Christmas Eve, beneath the colors of the Northern Lights. The plot unfolds during a few afternoon hours on Christmas Eve. The individual stories, which at times intertwine, are set in the small town Skogli. The characters in the stories cover a great range in age and life situations, representing both reconciliation with their own lives and strong frustration. Some show the will to understand and do something about their lives, while others have given up. Deeply tragic and melancholy aspects are mixed with humour and rather frivolous solutions.
Director
Adapted from a series of short stories by Norwegian author Levi Henriksen, Bent Hamers Home for Christmas weaves together the lives of people struggling to find their way home on a Christmas Eve, beneath the colors of the Northern Lights. The plot unfolds during a few afternoon hours on Christmas Eve. The individual stories, which at times intertwine, are set in the small town Skogli. The characters in the stories cover a great range in age and life situations, representing both reconciliation with their own lives and strong frustration. Some show the will to understand and do something about their lives, while others have given up. Deeply tragic and melancholy aspects are mixed with humour and rather frivolous solutions.
Producer
Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?
Screenplay
Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?
Director
Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?
Writer
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
Producer
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
Director
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
Co-Producer
The universal story of the meeting between a man and a woman.
Producer
Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
Screenplay
Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
Director
Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
Writer
Tells the story of Almar, a young Norwegian sailor whose gold watch, of great sentimental value, has been broken. While waiting for repairs in a remote Spanish town, he meets a number of unusual characters: Windy, an Australian seafarer with unusual experiences, real or imaginary; Marta, a beautiful Spanish girl; Martha's bizarre grandfather; and two old watchmakers who are painfully methodical. It seems to Almar that real time has also stopped when his watch did.
Director
Tells the story of Almar, a young Norwegian sailor whose gold watch, of great sentimental value, has been broken. While waiting for repairs in a remote Spanish town, he meets a number of unusual characters: Windy, an Australian seafarer with unusual experiences, real or imaginary; Marta, a beautiful Spanish girl; Martha's bizarre grandfather; and two old watchmakers who are painfully methodical. It seems to Almar that real time has also stopped when his watch did.
Writer
Two brothers in their seventies, Pa and Moe, have lived together all their lives in a little house in the country, the only interruption being when Pa made a weekend trip to Småland on his moped during the second World War. The past returns when his adult son dating from his Swedish visit, Konrad, comes to live with them after his mother has fallen ill. Soon Moe is about to discover that three is indeed a crowd...
Director
Two brothers in their seventies, Pa and Moe, have lived together all their lives in a little house in the country, the only interruption being when Pa made a weekend trip to Småland on his moped during the second World War. The past returns when his adult son dating from his Swedish visit, Konrad, comes to live with them after his mother has fallen ill. Soon Moe is about to discover that three is indeed a crowd...
Director
Short film by Bent Hamer, no dialogue, only music.
Writer
Early dialogue free short by Bent Hamer.
Director
Early dialogue free short by Bent Hamer.