Yuki Tanada

Shiino one day finds out that her best friend Mariko has committed suicide. After snatching Mariko's urn from her abusive father, Shiino heads to Marigaoka Cape, a place Mariko always wanted to go.

Shiino one day finds out that her best friend Mariko has committed suicide. After snatching Mariko's urn from her abusive father, Shiino heads to Marigaoka Cape, a place Mariko always wanted to go.

Movie theater Asahiza has existed for almost a 100 years in Minamisoma, Fukushima Prefecture. Unlike other theaters, Asahiza plays old films and doesn't get a lot of customers. The manger of Asahiza, Yasuzo Morita, finally decides to close down the theater. When he is about to burn the old 35 mm films, a young woman named Rika Motegi suddenly appears and tries to stop him. Rika Motegi came to Minamisoma from Tokyo to save Asahiza.

Movie theater Asahiza has existed for almost a 100 years in Minamisoma, Fukushima Prefecture. Unlike other theaters, Asahiza plays old films and doesn't get a lot of customers. The manger of Asahiza, Yasuzo Morita, finally decides to close down the theater. When he is about to burn the old 35 mm films, a young woman named Rika Motegi suddenly appears and tries to stop him. Rika Motegi came to Minamisoma from Tokyo to save Asahiza.

It was a pre-destined love and marriage for Sonoko and Tetsuo. They tied the knot and became husband and wife no questions asked. All is well then. Well, perhaps not. Each holds a secret that even the binds of matrimony cannot untie. Sonoko does not know that Tetsuo makes sex dolls or Dutch wives. Sonoko has a secret too. She is about to tell Tetsuo what she has been hiding. Their marriage is already sexless. Will they make it?

It was a pre-destined love and marriage for Sonoko and Tetsuo. They tied the knot and became husband and wife no questions asked. All is well then. Well, perhaps not. Each holds a secret that even the binds of matrimony cannot untie. Sonoko does not know that Tetsuo makes sex dolls or Dutch wives. Sonoko has a secret too. She is about to tell Tetsuo what she has been hiding. Their marriage is already sexless. Will they make it?

It was a pre-destined love and marriage for Sonoko and Tetsuo. They tied the knot and became husband and wife no questions asked. All is well then. Well, perhaps not. Each holds a secret that even the binds of matrimony cannot untie. Sonoko does not know that Tetsuo makes sex dolls or Dutch wives. Sonoko has a secret too. She is about to tell Tetsuo what she has been hiding. Their marriage is already sexless. Will they make it?

He is rejected by his sister when the brother floats the idea that their father move from his house to her apartment. The father has other ideas however and shows up unannounced at her doorstep with his belongings. She has little space, a boyfriend she lives with it and does not need a cranky father.

26-year-old Hachiko Hojo (Yuko Oshima) works as a train attendant, selling items on a cart. She's good at her job, but she lacks self confidence. One day, she meets a movie producer (Koji Ookura). They decide to visit tourist attractions in Hakone, Kanagawa Prefecture, Japan. Hachiko Hojo looks back upon her life along the way.

26-year-old Hachiko Hojo (Yuko Oshima) works as a train attendant, selling items on a cart. She's good at her job, but she lacks self confidence. One day, she meets a movie producer (Koji Ookura). They decide to visit tourist attractions in Hakone, Kanagawa Prefecture, Japan. Hachiko Hojo looks back upon her life along the way.

A widower and his daughter deal with the death of the man's wife.

Based on the award-winning novel of the same name, this boldly erotic yet movingly tender portrait of a group of vulnerable, variously wounded people — a depressed housewife, her high-school-aged lover, and his best friend, who is struggling to provide for himself and his senile grandmother — whose intersecting lives yield both sorrow and a fragile, yet enduring, hope for a brighter future. (TIFF)

17 year-old Hiruma is desperate to get laid and takes out his sexual urges on Anpai, a fat boy who has "boobs." His classmate Tomono, a sickly loner, is in a serious relationship with their married teacher.

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

A story of a 16-year old girl who comes to Tokyo aspiring to be an actress.

15-year-old Hatsuko (Higashi Ayu) lives with her elder brother in a humble town house. Their mother died when they were young, and the father disappeared. The brother (Shioya Shun) left high school before graduation to work at a factory, but spends their meager house-keeping money on adult entertainment. Hatsuko, who is poor and has no friends, finds emotional support in Mishima (Sano Kazuma), a boy in her class, who helps her with her study to go to a high school together. However, Hatsuko's brother causes trouble at the factory and gets the sack. Hatsuko gives up her dream of going to high school. In spring, the modest relationship continues between Mishima, now a high school student, and Hatsuko who works at a biscuit factory. One day, Hatsuko's long-gone father reappears. In a drunken frenzy, he sets fire to the house to go and rejoin the mother, leaving Hatsuko without a place to live. Hatsuko leaves the town on her own, drawing strength from the promise of marriage with Mishima.

15-year-old Hatsuko (Higashi Ayu) lives with her elder brother in a humble town house. Their mother died when they were young, and the father disappeared. The brother (Shioya Shun) left high school before graduation to work at a factory, but spends their meager house-keeping money on adult entertainment. Hatsuko, who is poor and has no friends, finds emotional support in Mishima (Sano Kazuma), a boy in her class, who helps her with her study to go to a high school together. However, Hatsuko's brother causes trouble at the factory and gets the sack. Hatsuko gives up her dream of going to high school. In spring, the modest relationship continues between Mishima, now a high school student, and Hatsuko who works at a biscuit factory. One day, Hatsuko's long-gone father reappears. In a drunken frenzy, he sets fire to the house to go and rejoin the mother, leaving Hatsuko without a place to live. Hatsuko leaves the town on her own, drawing strength from the promise of marriage with Mishima.

Tsuchiya Anna blasts back in time playing an oiran, a top-notched geisha of the Edo period’s Yoshiwara District, navigating brothel politics while trying to cling to the man she loves.

Compilation film featuring short works from directors Hitoshi Yasaki ("Short Cakes"), Yuki Tanada (scriptwriter "Sakuran," "Tsuki to Cherry"), Hiroyuki Nakano ("Stereo Future," "Samurai Fiction"), Masahiko Nagasawa ("Yoru no Picnic"), Masaya Kakehi ("Bijokan), and more for a total of 18 shorts. This time around the theme is "24 hours," where filming for each work must have been completed in 24 hours in order to appear in this film.

When an alluring young woman joins an erotic writing class, she begins a game of sexual cat and mouse with a naïve college student. As they venture into more and more unpredictable territory in the bedroom, he begins to think she might be using him as a test subject for her fiction more than anything else.

When an alluring young woman joins an erotic writing class, she begins a game of sexual cat and mouse with a naïve college student. As they venture into more and more unpredictable territory in the bedroom, he begins to think she might be using him as a test subject for her fiction more than anything else.

Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?

Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?