Mark Lombardo

A documentary that leads the audience from Namibia to Kilimanjaro to explore the African wildlife.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

When Jessy burns down his adoptive parents garage he is put into a youth prison. There he meets Roark another troublemake with whom he escapes and ends up in deserted woodlands. On their way they meet Rain, a girl that flees from her militia-captain Father. Together and with the Militia on their trail they try to escape in the hope of finding somewhere to make a new start of their lives.

A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.

A French football playing exchange student falls in love.

Henri Verneuil was born Achod Malakian of Armenian parentage on October 15, 1920, in Rodosto, Turkey, and his family fled to France and settled in Marseilles when he was a young child. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into this 1991 film with the same name.

A Washington waitress saves the Emir of Ohtar's life, launching her diplomatic career and a scandal.

A workaholic father becomes sole parent to his two young sons, and finds it hard to relate to them, consumed as he is with his own grief.

Un séducteur à l'accent italien tente d'échapper à la police qui le poursuit pour un crime qu'il n'a pas commis.

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.