The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.
The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.
Early XVII century. A summit between France, England, Portugal and the Pope is to take place in Spain, home of the masked hero known as Red Eagle. The countries are coming together under the guise of looking for a solution to the conflict between Spain and Portugal; however, the ulterior motive is to attack the Kingdom of Spain. The Marchioness of Santillana and her fellow conspirators have hired an assassin to finish off the Red Eagle to guarantee the outcome of their plot. The townspeople and the whole kingdom will be at the mercy of the traitors, but the Red Eagle will be there to help them.
