William Peter Blatty
Birth : 1928-01-07, New York, New York, U.S
Death : 2017-01-12
Characters
When his daughter, Angela, and her friend Katherine, show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil, the only person alive who's witnessed anything like it before.
Self
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Forty years after his novel was published, The Exorcist's author, screenwriter and producer return to where it all began.
Himself
2010 documentary on William Friedkin's 1973 horror classic, featuring the never before seen on set footage of cinematographer Owen Roizman.
Lui-même
Thanks
A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.
Himself
A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.
Screenplay
Fifteen years after the original film, the philosophical Lieutenant William F. Kinderman is investigating a baffling series of murders on Georgetown that all contain the hallmarks of The Gemini, a deceased serial killer. His investigation eventually leads him to a catatonic patient in a psychiatric hospital who has recently started to speak, claiming he is The Gemini and detailing the murders, but bears a striking resemblance to Father Damien Karras.
Director
Fifteen years after the original film, the philosophical Lieutenant William F. Kinderman is investigating a baffling series of murders on Georgetown that all contain the hallmarks of The Gemini, a deceased serial killer. His investigation eventually leads him to a catatonic patient in a psychiatric hospital who has recently started to speak, claiming he is The Gemini and detailing the murders, but bears a striking resemblance to Father Damien Karras.
Himself
An investigation into the reports of houses in Hollywood that are supposedly haunted by the ghosts of dead movie stars.
Producer
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
Dr. Fromme
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
Novel
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
Screenplay
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
Director
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
The Producer (uncredited)
12-year-old Regan MacNeil begins to adapt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith.
Producer
12-year-old Regan MacNeil begins to adapt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith.
Screenplay
12-year-old Regan MacNeil begins to adapt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith.
Novel
12-year-old Regan MacNeil begins to adapt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith.
Writer
World War I. Lili Smith is a beloved British music hall singer, often providing inspiration for the British and French troops and general populace singing rallying patriotic songs. She is also half German and is an undercover German spy, using her feminine wiles to gather information from the high ranking and generally older military officers and diplomats she seduces.
Screenplay
A motley group of phony church leaders attempts to rob a bank controlled by brothers in 1880's Texas.
Story
Zero Mostel plays an inspector on the trail of criminals who have captured a robot called Chatze(sp?) played by Felix Silas. The inspector has delusions that he is a great Samurai warrior and the movie flashes back and forth between present day and ancient times.
Screenplay
Zero Mostel plays an inspector on the trail of criminals who have captured a robot called Chatze(sp?) played by Felix Silas. The inspector has delusions that he is a great Samurai warrior and the movie flashes back and forth between present day and ancient times.
Screenplay
The madam of a floating bordello hires private eye Peter Gunn to prove a gangster killed a crime boss.
Screenplay
A widowed mother decides to go after the child psychologist she works for because she thinks he'll be able to provide for her toddler, the catch is her employer doesn't know about her son and he doesn't particularly care for children despite his profession.
Screenplay
A by-the-book Captain is ordered to capture a strategic village in Italy. The Italian soldiers are willing to surrender, if they can have a festival first. The lieutenant convinces the Captain this is the only way. Because of aerial reconnaissance, they must look like they are fighting. To sort this out an intelligence officer is sent in. Meanwhile the festival gets complicated with the Mayors daughter.
Writer
During the Cold War, John Goldfarb crashes his spy plane in the Middle East and is taken prisoner by the local government. His captor, King Fawz, soon discovers that Goldfarb used to be a college football star. So he issues him an ultimatum: coach his country's football team, or Fawz will surrender him to the Russians. Goldfarb teams up with undercover reporter Jenny Ericson, and together they plot to escape their dangerous situation.
Screenplay
When rich Mr. Benjamin Ballon's Spanish driver is found shot dead, Inspector Jacques Clouseau is the first official on the scene. All evidence suggests Maria Gambrelli, the maid, to be the murderer. But Clouseau, being attracted to the beautiful girl, is convinced that she is hiding something. So, he has her released from jail and secretly tries to follow her. Things do not work out the way the inspector wants and people keep ending up murdered, and every time, innocent Maria seems to be the killer. But with someone important wanting Clouseau and nobody else to cover this case, his tolerance-challenged boss Charles Dreyfuss is close to losing his mind when casualties keep turning up. And Clouseau keeps on causing trouble without knowing it...
Story
Mobster Foots Pulardos, who operates a health gym as a front, plans to flee to Mexico to evade government tax officials. His girl friend, Sugar Pye, suggests that he first arrange for the cremation of a man having his own peculiar identifying characteristic--feet of different sizes--and then apply for a Diners' Club card for use in paying his fare. The request for the credit card comes to the desk of Ernie Klenk, a timid clerk. Nervous about his forthcoming marriage to the boss's secretary, Lucy, Ernie inadvertently okays the application, then, discovering his mistake, rushes to the health gym to recover the club card he has issued.
Screenplay
Mobster Foots Pulardos, who operates a health gym as a front, plans to flee to Mexico to evade government tax officials. His girl friend, Sugar Pye, suggests that he first arrange for the cremation of a man having his own peculiar identifying characteristic--feet of different sizes--and then apply for a Diners' Club card for use in paying his fare. The request for the credit card comes to the desk of Ernie Klenk, a timid clerk. Nervous about his forthcoming marriage to the boss's secretary, Lucy, Ernie inadvertently okays the application, then, discovering his mistake, rushes to the health gym to recover the club card he has issued.
Policeman (as Bill Blatty)
Director Albert C. Gannaway's 1958 melodrama, about the sordid private lives of California crop-dusting pilots, stars John Ireland, Mari Blanchard, Robert Middleton, Gail Russell and Jackie Coogan.