William Peter Blatty

When his daughter, Angela, and her friend Katherine, show signs of demonic possession, it unleashes a chain of events that forces single father Victor Fielding to confront the nadir of evil. Terrified and desperate, he seeks out Chris MacNeil, the only person alive who's witnessed anything like it before.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

Forty years after his novel was published, The Exorcist's author, screenwriter and producer return to where it all began.

2010 documentary on William Friedkin's 1973 horror classic, featuring the never before seen on set footage of cinematographer Owen Roizman.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

１９９０年、ジョージタウンで黒人の少年と２人の神父が殺されるという連続猟奇殺人事件が発生する。犠牲者の首を切りキリスト像とすげ替えるという犯行の手口は１５年前に犯人が処刑された“乙女座殺人事件”と同じだった。捜査に当たったキンダーマン警部は、殺された神父達はどちらも１５年前に起こった“エクソシズム（悪魔払い）”事件に関係があったという共通点を発見する。

１９９０年、ジョージタウンで黒人の少年と２人の神父が殺されるという連続猟奇殺人事件が発生する。犠牲者の首を切りキリスト像とすげ替えるという犯行の手口は１５年前に犯人が処刑された“乙女座殺人事件”と同じだった。捜査に当たったキンダーマン警部は、殺された神父達はどちらも１５年前に起こった“エクソシズム（悪魔払い）”事件に関係があったという共通点を発見する。

An investigation into the reports of houses in Hollywood that are supposedly haunted by the ghosts of dead movie stars.

Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.

Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.

Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.

Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.

Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane's many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane's own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.

イラク。アメリカの古生物学者でもあるメリン神父は、古代遺跡の中から悪魔パズズの偶像を発見。それは、不吉な兆候を予感させた…。一方、ワシントンで仮住まいをしている女優クリスの一家に異変が起き始めた。一人娘のリーガンが恫喝的な声色で卑猥な言動を発し、その表情も変貌していく。科学的検査では何ひとつ解明されないどころか、娘の行状が日増しにひどくなっていくことに苦しむクリスは、カラス神父に救いを求めた。悪魔が少女に取り憑いたとしか思えないカラス神父は、教会に悪魔払いを要請。数少ない経験者であるメリンが到着し、ついに壮絶な悪魔払いが始まるのだが…。

イラク。アメリカの古生物学者でもあるメリン神父は、古代遺跡の中から悪魔パズズの偶像を発見。それは、不吉な兆候を予感させた…。一方、ワシントンで仮住まいをしている女優クリスの一家に異変が起き始めた。一人娘のリーガンが恫喝的な声色で卑猥な言動を発し、その表情も変貌していく。科学的検査では何ひとつ解明されないどころか、娘の行状が日増しにひどくなっていくことに苦しむクリスは、カラス神父に救いを求めた。悪魔が少女に取り憑いたとしか思えないカラス神父は、教会に悪魔払いを要請。数少ない経験者であるメリンが到着し、ついに壮絶な悪魔払いが始まるのだが…。

イラク。アメリカの古生物学者でもあるメリン神父は、古代遺跡の中から悪魔パズズの偶像を発見。それは、不吉な兆候を予感させた…。一方、ワシントンで仮住まいをしている女優クリスの一家に異変が起き始めた。一人娘のリーガンが恫喝的な声色で卑猥な言動を発し、その表情も変貌していく。科学的検査では何ひとつ解明されないどころか、娘の行状が日増しにひどくなっていくことに苦しむクリスは、カラス神父に救いを求めた。悪魔が少女に取り憑いたとしか思えないカラス神父は、教会に悪魔払いを要請。数少ない経験者であるメリンが到着し、ついに壮絶な悪魔払いが始まるのだが…。

イラク。アメリカの古生物学者でもあるメリン神父は、古代遺跡の中から悪魔パズズの偶像を発見。それは、不吉な兆候を予感させた…。一方、ワシントンで仮住まいをしている女優クリスの一家に異変が起き始めた。一人娘のリーガンが恫喝的な声色で卑猥な言動を発し、その表情も変貌していく。科学的検査では何ひとつ解明されないどころか、娘の行状が日増しにひどくなっていくことに苦しむクリスは、カラス神父に救いを求めた。悪魔が少女に取り憑いたとしか思えないカラス神父は、教会に悪魔払いを要請。数少ない経験者であるメリンが到着し、ついに壮絶な悪魔払いが始まるのだが…。

World War I. Lili Smith is a beloved British music hall singer, often providing inspiration for the British and French troops and general populace singing rallying patriotic songs. She is also half German and is an undercover German spy, using her feminine wiles to gather information from the high ranking and generally older military officers and diplomats she seduces.

A motley group of phony church leaders attempts to rob a bank controlled by brothers in 1880's Texas.

Zero Mostel plays an inspector on the trail of criminals who have captured a robot called Chatze(sp?) played by Felix Silas. The inspector has delusions that he is a great Samurai warrior and the movie flashes back and forth between present day and ancient times.

Zero Mostel plays an inspector on the trail of criminals who have captured a robot called Chatze(sp?) played by Felix Silas. The inspector has delusions that he is a great Samurai warrior and the movie flashes back and forth between present day and ancient times.

The madam of a floating bordello hires private eye Peter Gunn to prove a gangster killed a crime boss.

A widowed mother decides to go after the child psychologist she works for because she thinks he'll be able to provide for her toddler, the catch is her employer doesn't know about her son and he doesn't particularly care for children despite his profession.

A by-the-book Captain is ordered to capture a strategic village in Italy. The Italian soldiers are willing to surrender, if they can have a festival first. The lieutenant convinces the Captain this is the only way. Because of aerial reconnaissance, they must look like they are fighting. To sort this out an intelligence officer is sent in. Meanwhile the festival gets complicated with the Mayors daughter.

During the Cold War, John Goldfarb crashes his spy plane in the Middle East and is taken prisoner by the local government. His captor, King Fawz, soon discovers that Goldfarb used to be a college football star. So he issues him an ultimatum: coach his country's football team, or Fawz will surrender him to the Russians. Goldfarb teams up with undercover reporter Jenny Ericson, and together they plot to escape their dangerous situation.

パリ警視庁のクルーゾー警部はカンは鋭いが、いつもトンチンカンな騒動ばかり起こしている。ある大富豪の邸宅で殺人事件が起きた。容疑者として逮捕されたのは、美しい女中のマリアだった。ところがクルーゾー警部は、「殺人犯にしては美しすぎる。真犯人をかばっているに違いない。」と言って釈放してしまう。真犯人を突き止めようと、マリアの尾行を開始するが、彼女の行く先々で次々に殺人事件が起きる。再びマリアは監獄へ送られるが、クルーゾー警部はあくまで無実を主張し、またしても釈放してしまう。果たして、今回もクルーゾー警部の第六感で事件を解決へ導けるのか！？

Mobster Foots Pulardos, who operates a health gym as a front, plans to flee to Mexico to evade government tax officials. His girl friend, Sugar Pye, suggests that he first arrange for the cremation of a man having his own peculiar identifying characteristic--feet of different sizes--and then apply for a Diners' Club card for use in paying his fare. The request for the credit card comes to the desk of Ernie Klenk, a timid clerk. Nervous about his forthcoming marriage to the boss's secretary, Lucy, Ernie inadvertently okays the application, then, discovering his mistake, rushes to the health gym to recover the club card he has issued.

Mobster Foots Pulardos, who operates a health gym as a front, plans to flee to Mexico to evade government tax officials. His girl friend, Sugar Pye, suggests that he first arrange for the cremation of a man having his own peculiar identifying characteristic--feet of different sizes--and then apply for a Diners' Club card for use in paying his fare. The request for the credit card comes to the desk of Ernie Klenk, a timid clerk. Nervous about his forthcoming marriage to the boss's secretary, Lucy, Ernie inadvertently okays the application, then, discovering his mistake, rushes to the health gym to recover the club card he has issued.

Director Albert C. Gannaway's 1958 melodrama, about the sordid private lives of California crop-dusting pilots, stars John Ireland, Mari Blanchard, Robert Middleton, Gail Russell and Jackie Coogan.