Guy Gilles
Birth : 1938-08-25, Algiers, Algeria
Death : 1996-02-03
History
Guy Gilles born Guy Chiche (25 August 1938 - 3 February 1996) was a French film director.
His first feature film, L'Amour à la mer (1962), starred Juliette Greco, Romy Schneider and Jean-Pierre Léaud. Patrick Jouan featured in many of his films. He also worked for television with productions such as Dim, Dam, Dom and Pour le plaisir.
His latest films include Le Crime d'amour (1982), with Richard Berry and Jacques Penot, and Nuit docile (1987). He caught AIDS in the late 1980s, and in experiencing difficulties with production, he struggled to complete Néfertiti, la fille du soleil in 1994 which was released in 1996 on the year of death.
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![Nefertiti [Alternate version]](/assets/images/no-backdrop.png)
Director
the movie's intended runtime was 100 minutes but there was bad business with the Italian producer. Cinecitta kidnapped some film rolls until the French paid their share of this Latvia/France/Italy co-production but the French producer went bankrupt in the meantime...So Guy Gilles was forced to make a 70 minutes edit with the rolls he had and allegedly he also rushed off the French dubbing. So the 93 minutes version include some missing footages and the original audio but it was not edited by the director who died in 1996 and never got access to the missing rolls.
Director
Tadushepa grows from a young princess from the Mitanni kingdom to the legendary Queen Nefertiti of Egypt. The film starts with the discovery of her bust by a German archaeologist in 1912 and then turns the time back to the moment just before she is married to the old Pharaoh Amanophis III. She must say goodbye to her lover, the sculptor Yame. But in Egypt she appears to have a great talent for power. After the death of Amanophis she collapses on the heir to the throne Akhematon.
Director
A father tells his story to his eight-year-old son. Pictures of his past in Algeria come back in flashback : Bab El Oued, la Madrague, Sidi Ferruch, Chenoua, Tipasa, Oran, Constantine, Candle , the Kabylie, the light, the noises, the music, the events, the last hopes.
Director
Screenplay
Jean is a successful painter who leaves his mistress, though he stops intermittently to phone her with explanations. Sometimes she is responsive but other times hangs up on him. Meanwhile, a 16-year-old male prostitute with whom Jean had a brief homosexual affair stalks the painter.
Director
Jean is a successful painter who leaves his mistress, though he stops intermittently to phone her with explanations. Sometimes she is responsive but other times hangs up on him. Meanwhile, a 16-year-old male prostitute with whom Jean had a brief homosexual affair stalks the painter.
Screenplay
The action takes place in Paris in 1959, with a flashback. A teenager in search of a mother he has never known enters manhood and discovers love.
Director
The action takes place in Paris in 1959, with a flashback. A teenager in search of a mother he has never known enters manhood and discovers love.
Director
A verlan discussion in a cafe between two young people about a motorbike and girls.
Writer
Director
Screenplay
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
Director
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
Director
A film by Guy Gilles
Le client de l'agence
The fortunes of a small theatrical company based in the Paris suburbs.
Narrator (voice)
The real museum of Mexico City is the city, the street. To grasp the intangible, Guy Gilles decides to tell the story of Mexico by questioning the value of images and sounds, far from tourist clichés. The nightlife of Mexico City, his meeting with young Lupe, the hotel’s lifiter.
Director of Photography
The real museum of Mexico City is the city, the street. To grasp the intangible, Guy Gilles decides to tell the story of Mexico by questioning the value of images and sounds, far from tourist clichés. The nightlife of Mexico City, his meeting with young Lupe, the hotel’s lifiter.
Director
The real museum of Mexico City is the city, the street. To grasp the intangible, Guy Gilles decides to tell the story of Mexico by questioning the value of images and sounds, far from tourist clichés. The nightlife of Mexico City, his meeting with young Lupe, the hotel’s lifiter.
Director of Photography
Director
Director
Poetic wandering in the work of Jean Genet.
Writer
Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...
Director
Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...
Director
An issue of the television series La vie filmée, based on films by amateur filmmakers, and retracing here the life of the French between 1946 and 1953. The images shot in the immediate post-war period bear witness to the difficulties of resuming life daily. Confronting individuals with their personal archives nearly thirty years later, the film nostalgically questions the gap created between intimate memory and empirical memory (documents).
Writer
François Naulet turns his bedroom into an island of drugs, loneliness and despair.
Director
François Naulet turns his bedroom into an island of drugs, loneliness and despair.
The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive.
- Clarke Fountain, Rovi
Director
Writer
The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.
Director of Photography
The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.
Director
The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.
Director
It was while going to film Jeanne Moreau in the summer of 1970 in her house at Garde Freinet that Guy Gilles fell in love with her. She will appear in his films: "Courtyard side on the field side", then "Saint, martyr and poet". She will also sing for "Repeated absences" and "The garden that tilts".
Director
In the Saint-Lazare metro and station, a young man dreams of getting away from the dullness and everyday life. Colored snapshots of postcards, metro stations or signs, symbolizing distant destinations, mingle with black and white images of reality in a sort of invitation to travel.
Director
A young man finds some fifty letters and a notebook forgotten in an old abandoned farm in Vans in Ardèche . Back in Paris, he discovers that it is a love correspondence between a young peasant girl and a captain during the 14-18 war. The film recreates this love story, with images of Paris and old Le Havre in the background.
Director of Photography
An experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.
Cinematography
This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.
Screenplay
Jeanne looks back on her love for Jean. The melancholic young man wouldn't accept the world as it was, always wishing to depart. She doesn't know that he's dead.
Director
Jeanne looks back on her love for Jean. The melancholic young man wouldn't accept the world as it was, always wishing to depart. She doesn't know that he's dead.
Director
Director
A day in Aurillac on a rainy Sunday.
Writer
During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...
Guy
During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...
Director
During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...
Director
Report on the young people of the yéyé period and pop music. Jerk at the Palladium, Beatles, press clippings, questions about the impact of fashion (long hair and accoutrements) and modernity, youth, change, freedom.
Director
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.
Director
Camera Operator
The creation of a painting by Francis Savel (aka Dietrich de Velsa, director of Équation à un inconnu) in his studio in Montmartre: the white canvas, the tests in charcoal, the drawing, the arrival of color. Outside it is winter.
Director
The creation of a painting by Francis Savel (aka Dietrich de Velsa, director of Équation à un inconnu) in his studio in Montmartre: the white canvas, the tests in charcoal, the drawing, the arrival of color. Outside it is winter.
Assistant Director
This short film by Jacques Demy was based on his memories of growing up in Nantes, France. While it was initially made for the omnibus film THE SEVEN DEADLY SINS (as the segment on "Lust"), it has also been distributed and exhibited separately.
Assistant Director
Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.
Writer
The title sums up the mood of this elegant short film in which a woman recalls her life, locked up for 30 years in the courtyard of a building where a young man with whom she was hopelessly in love had lived. The tenants grow up, get married, die. A whole life passes.
Director
The title sums up the mood of this elegant short film in which a woman recalls her life, locked up for 30 years in the courtyard of a building where a young man with whom she was hopelessly in love had lived. The tenants grow up, get married, die. A whole life passes.
Jean Lerat begins his military service at an army camp. Despite his aunt’s attempts to pull a few strings to his advantage, the unfortunate Lerat manages to get on the wrong side of his bullying colonel…
Editor
Algiers, summer, a Sunday. A young loving couple goes to Tipaza: strolls on the beach, detour to the dancing, scooter rides. Imperceptibly, the initial harmony cracks. At the bevel of kisses years go by too much.
Screenplay
Algiers, summer, a Sunday. A young loving couple goes to Tipaza: strolls on the beach, detour to the dancing, scooter rides. Imperceptibly, the initial harmony cracks. At the bevel of kisses years go by too much.
Director
Algiers, summer, a Sunday. A young loving couple goes to Tipaza: strolls on the beach, detour to the dancing, scooter rides. Imperceptibly, the initial harmony cracks. At the bevel of kisses years go by too much.
