Edward Lachman

Edward Lachman

Birth : 1948-03-31, Morristown, New Jersey, USA

History

Edward Lachman, A.S.C. is an American cinematographer and director. Lachman is mostly associated with the American independent film movement, and has served as director of photography on films by Todd Haynes, Wim Wenders, Steven Soderbergh, Sofia Coppola and Paul Schrader. Born: March 31, 1946, Morristown, NJ

Profile

Edward Lachman

Movies

The Velvet Underground
Director of Photography
Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.
Wim Wenders, Desperado
Self
"Wings Of Desire" and "Buena Vista Social Club", "Paris, Texas" and "The State Of Things": Wim Wenders is considered one of the pioneers of New German Cinema and one of the most important and influential representatives of contemporary cinema. With never before shown archive material and extraordinary encounters with companions and contemporary witnesses such as Francis Ford Coppola, Willem Dafoe, Andie MacDowell, Hanns Zischler, Patti Smith and Werner Herzog, this documentary provides unique insights into the life and work of one of the most multifaceted artists of our times. Renowned documentary filmmaker Eric Friedler ("It Must Schwing. The Blue Note Story") and his co-director Andreas Frege were given the exclusive opportunity to portray Wenders for this film. From Dusseldorf to Paris, and all the way to the desert of Texas, the film traces iconic locations and decisive moments in Wenders' work as director, producer, photographer and author.
Dark Waters
Director of Photography
A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. In the process, he risks everything — his future, his family, and his own life — to expose the truth.
Revisiting The Virgin Suicides
Himself
A program featuring director Sofia Coppola, actors Kirsten Dunst and Josh Hartnett, and cinematographer Ed Lachman looking back at The Virgin Suicides nearly 20 years on.
Wonderstruck
Director of Photography
The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.
Life in Boxes
Himself
Life in boxes, objects as a form of memory. Two-time Oscar nominee Edward Lachman shows us the loft in New York where he lives surrounded by boxes.
Don't Blink: Robert Frank
Director of Photography
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Wiener-Dog
Director of Photography
A dachshund passes from oddball owner to oddball owner, whose radically dysfunctional lives are all impacted by the pooch.
Carol
Director of Photography
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Cathedrals of Culture
Director of Photography
"If buildings could talk, what would they say about us?" CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world's most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
Six by Sondheim
Cinematography
This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.
Paradise: Hope
Director of Photography
Hope, the third film in the PARADISE TRILOGY, tells the story of the 13-year-old Melanie. While her mother (Teresa) travels to Kenya, Melanie spends her holiday in the Austrian countryside at a strict diet camp for overweight teenagers. Under the supervision of a tattooed trainer and a creepy doctor, the teenagers attempt to do sports during the day and secretly get drunk in the evening. Between physical education and nutrition counseling, pillow fights and her first cigarette, Melanie falls in love with the doctor who is 40 years her senior.
Dark Blood
Director of Photography
Filmed in 1993 but never completed due to River Phoenix's death, Dark Blood tells the story of Boy, a young widower living on a nuclear testing site in the desert. Boy is waiting for the end of the world and carves Katchina dolls that supposedly contain magical powers. Boy's solitude is interrupted when a Hollywood jet-set couple who are travelling across the desert become stranded after their car breaks down. The couple are rescued by Boy, who then holds them prisoner because of his desire for the woman and his ambition to create a better world with her.
Paradise: Faith
Director of Photography
Second film in Ulrich Seidl's Paradise trilogy. A devout Catholic woman practises her religion at home and in the local community, but is unprepared for the reappearance of her estranged husband, who is a Muslim.
Paradise: Love
Director of Photography
On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.
About Jenny Holzer
Director of Photography
Director Claudia Muller follows the career of conceptual artist Jenny Holzer in this documentary that's as illuminating as her trademark LED displays. For over 30 years, Holzer has used a variety of unusual backdrops for her text installations.
Howl
Director of Photography
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Life During Wartime
Director of Photography
Friends, family, and lovers struggle to find love, forgiveness, and meaning in an almost war-torn world riddled with comedy and pathos. Follows Solondz's film Happiness (1998).
Collapse
Cinematography
From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.
Life for a Child
Director
Directed by Academy Award-nominee Edward Lachman, the documentary film Life for a Child follows the journeys of children with type 1 diabetes amid the verdant mountains and swarming streets of Nepal, one of the world’s poorest countries. The Life for a Child film was produced by the International Diabetes Federation (IDF), the world’s leading diabetes advocacy organization, and Eli Lilly and Company, a global leader in diabetes treatment, to raise awareness of the devastating impact of diabetes and increase support for the IDF Life for a Child Program. The documentary is a production of Wayne Lachman Productions and doublewide media.
Import/Export
Director of Photography
A nurse from the Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life..
I'm Not There
Director of Photography
Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.
Hounddog
Director of Photography
A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.
A Prairie Home Companion
Director of Photography
A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.
The Music of Regret
Cinematography
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
Far from Heaven
Director of Photography
In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.
Ken Park
Director of Photography
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
Ken Park
Director
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
S1m0ne
Director of Photography
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star — the first totally believable synthetic actress.
Sweet November
Director of Photography
Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.
Erin Brockovich
Director of Photography
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up.
The Virgin Suicides
Director of Photography
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
The Limey
Director of Photography
The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
Why Do Fools Fall In Love
Director of Photography
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
Selena
Director of Photography
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
Touch
Director of Photography
Down-and-out former preacher Bill Hill witnesses stranger Juvenal save a woman from her abusive husband by defusing the latter's anger — and ending his wife's blindness. Determined to profit from Juvenal's mystical powers, Bill asks an old friend, Lynn Faulkner, to sneak into the Alcoholics Anonymous facility where Juvenal works as a counselor, but she finds herself falling for the healer.
My Family
Director of Photography
Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.
My New Gun
Director of Photography
Debbie and Gerald's lives drastically change after they get a gun. Their mysterious neighbor, Skippy, becomes an important and transforming figure in their lives.
Pets or Meat: The Return to Flint
Director of Photography
Follow-up to Roger & Me.
Light Sleeper
Director of Photography
John LeTour is a recovering drug user who suffers insomnia and still deals to a high-end New York clientele, even thought he’s trying to move on from the business. John’s professional midlife crisis becomes something more acute — and dangerous — when he re-encounters an old flame while a string of seemingly drug-related murders rocks the city.
London Kills Me
Director of Photography
For want of a nail a shoe was lost, for want of a shoe... a young man's life is almost lost, which is exactly what this film is all about: a man barely twenty who wants desperately to pull out of London's drug world by taking a job as a waiter in a 'normal' restaurant. But to do this he must come up with a "sensible" pair of shoes, an item that his homeless meanderings hasn't provided him.
Mississippi Masala
Director of Photography
An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families have to come to terms with it.
Red Hot + Blue: A Tribute to Cole Porter
Director
This music special is dedicated to dispelling the prejudices associated with the HIV infection and raising money for AIDS research and relief. Some of today's most celebrated recording artists performing their interpretations of the classic songs of Cole Porter.
Catchfire
Director of Photography
A witness to a mob assassination flees for her life from town to town, switching identities, but cannot seem to elude Milo, the chief killer out to get her.
The Local Stigmatic
Cinematography
Two symbiotic sociopaths play obscurely deviant mind games with each other while engaging in perversely brutal acts of violence against victims apparently chosen at random
Songs for Drella
Director of Photography
Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.
Songs for Drella
Director
Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.
Protect me from what I want
Cinematography
As the 1980s reached its frantic climax, Jenny Holzer was the world’s most celebrated artist, with 3 solo shows in 1989: the Dia Art Foundation, the Guggenheim Museum, and The Venice Biennale, where she was the first woman to represent the United States and where she was awarded first prize for the most outstanding pavilion.
Protect me from what I want
Director
As the 1980s reached its frantic climax, Jenny Holzer was the world’s most celebrated artist, with 3 solo shows in 1989: the Dia Art Foundation, the Guggenheim Museum, and The Venice Biennale, where she was the first woman to represent the United States and where she was awarded first prize for the most outstanding pavilion.
Imagining America
Director
An anthology film consisting of four shorts with the central theme being life in the United States.
Less Than Zero
Director of Photography
A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.
A Gathering of Old Men
Director of Photography
A regular day in a Louisiana sugarcane plantation changes course when a local white farmer is shot in self defense. A group of old, black men takes a courageous step by coming forward en masse to take responsibility for the killing of a white racist, whom one of their members has shot. As the sheriff confronts the suspects, the young plantation owner stands alone in her daring defense of this group of men, provoking racial tension that makes a compelling drama.
Making Mr. Right
Director of Photography
A reclusive scientist builds a robot that looks exactly like him to go on a long term space mission. Since the scientist seems to lack all human emotion he is unable to program them into his android and an eccentric woman is hired to "educate" the robot on human behavior. In the end she falls in love... but is the robot or the Dr. Mr Right?
Mother Teresa
Director of Photography
We follow the daily activities of Mother Teresa and her nuns, in service to the poor of India and the world. Mother Teresa attends to the basic needs of her nuns and the poor, while at the same time, balances her role as world-recognized leader. Throughout the film, we witness personal and "behind-the-scenes" events, including the blessing ceremony of a nun becoming part of Mother Teresa's "Sisters of the Poor" convent.
True Stories
Director of Photography
A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.
The Tender Age
Director of Photography
Tim Donovan, a juvenile probation officer for the city of Boston, is assigned the case of Nikki, a troubled teenage girl who's been arrested for Assault & Battery. Tim quickly falls under the attractive Nikki's spell, convinced her delinquency is deep-rooted, and sets out to uncover the truth.
Ornette: Made in America
Director of Photography
Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.
Stripper
Cinematography
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
The Day You Love Me
Director of Photography
Two communist lovers prepare to move to the Ukraine and work on a collective farm. Meanwhile, a celebrated pop singer visits their small town, and secrets are revealed.
Insignificance
Additional Camera
Four 1950s cultural icons who conceivably could have met but probably didn't, fictionally do so in this modern fable of post-WWII America. Visually intriguing, the film has a fluid progression of flashbacks and flashforwards centering on the fictional Einstein's current observations, childhood memories, and apprehensions for the future.
Tokyo-Ga
Director of Photography
German director Wim Wenders made this documentary in which he tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu. When Wenders visits Tokyo for the first time, he finds a very different city, one with a booming fascination with technology that often clashes with the traditional elements of Japanese culture. Wenders also interviews Ozu's cinematographer, Yuharu Atsuta, and Chishu Ryu, an actor who frequently collaborated with Ozu.
Desperately Seeking Susan
Director of Photography
Roberta is a bored suburban housewife who is fascinated with a woman, Susan, she only knows about by reading messages to and from her in the personals section of the newspaper. This fascination reaches a peak when an ad with the headline "Desperately Seeking Susan" proposes a rendezvous. Roberta goes too, and in a series of events involving amnesia and mistaken identity, steps into Susan's life.
R.A.B.L.
Director of Photography
RABL combines film, early 3D computer animated human movement, and dance. RABL explores the interaction of human bodies and technology with choreography by Patrice M Regnier and the support of the Computer Graphics Laboratory at the New York Institute of Technology.
Report from Hollywood
Director
“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.
The Last Trip to Harrisburg
Director
A soldier and a beautiful blonde on a train to Harrisburg.
Huie's Predigt
Camera Operator
Reverend Huie Rogers is a preacher at the Bible Way Church of Our Lord Jesus Christ in Brooklyn. He is the topic of this short film, during which launches into an epic call-and-response denunciation of human hubris, greed, corruption and failure. The use of lengthy shots present it less like a sermon and more a performance, and induce an almost trance-like state.
Split Cherry Tree
Cinematography
Split Cherry Tree is a 1982 short film directed by Andrei Konchalovsky. A father learns the importance of education and gains an understanding of his son and an insight into his dreams and ambitions. The film was nominated for an Oscar for Best Live Action Short Film.
They All Laughed
Camera Operator
New York's Odyssey Detective Agency is hired by two different clients to follow two women suspected of infidelity. Ladies' man John Russo trails Angela Niotes, the elegant wife of a wealthy Italian industrialist, while Charles Rutledge and Arthur Brodsky follow Dolores Martin, the beautiful young wife of a jealous husband. Their respective cases are complicated when John falls for Angela, and Charles falls for Dolores.
Lightning over Water
Director of Photography
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Union City
Director of Photography
A 1950s accountant with a restless wife grows paranoid after hiding a milk thief's corpse next door.
La Soufrière: Warten auf eine unausweichliche Katastrophe
Self
Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.
La Soufrière: Warten auf eine unausweichliche Katastrophe
Director of Photography
Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.
La Soufrière: Warten auf eine unausweichliche Katastrophe
Camera Operator
Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.
The American Friend
Assistant Camera
Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.
Scalpel
Director of Photography
A psychopathic plastic surgeon transforms a young accident victim into the spitting image of his missing daughter.
Stroszek
Second Unit Cinematographer
Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck and they join his neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin.
How Much Wood Would a Woodchuck Chuck
Assistant Camera
A documentary short examining the language and performance of auctioneering, filmed at the World Livestock Auctioneer Championship in Pennsylvania.
How Much Wood Would a Woodchuck Chuck
Camera Operator
A documentary short examining the language and performance of auctioneering, filmed at the World Livestock Auctioneer Championship in Pennsylvania.
The Lords of Flatbush
Director of Photography
Set in 1958, the coming of age story follows four lower middle-class Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, shoot pool, get into street fights, and hang out at a local malt shop.
America First
Assistant Camera
A previously isolated Appalachian region is infiltrated by seven travelers, who seek to create a Utopian community with the residents. A television documentary crew films the fraught interactions.
The Count
Director of Photography
A black comedy picturing bloody Chilean dictator Augusto Pinochet as a 250-year-old vampire.
Fever
Director of Photography
Explores the professional and personal life of Peggy Lee whose career spanned nearly seven decades beginning with her first #1 single "Somebody Else Is Taking My Place" in 1942.