Huang Wen-Ying

This is a story of reminiscence, remembering my long-deceased Grandpa. To remember is to transcend, therefore it’s a story of time and space, overlapped and intertwined. It’s also a quest of love and work, a spiritual and emotional journey; and through which values are re-examined and life reaffirmed.

This is a story of reminiscence, remembering my long-deceased Grandpa. To remember is to transcend, therefore it’s a story of time and space, overlapped and intertwined. It’s also a quest of love and work, a spiritual and emotional journey; and through which values are re-examined and life reaffirmed.

A new documentary by Daniel Raim and Eugene Suen on the making of "Flowers of Shanghai," featuring behind-the-scenes footage and interviews with Mark Lee Ping-bing, producer and editor Liao Ching-sung, production designer Hwarng Wern-ying, and sound recordist Tu Duu-chih.

On his 60th birthday, Van is told that he is seriously ill. But instead of going to Taipei for treatment, his illness leads him to Japan. Together with his son, he goes in search of the father who abandoned him 50 years ago. At the same time, a young man with a mysterious connection to Van's past is travelling from Hong Kong to Taiwan.

Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.

A female assassin during the Tang Dynasty begins to question her loyalties when she falls in love with one of her targets.

A female assassin during the Tang Dynasty begins to question her loyalties when she falls in love with one of her targets.

A tale of two islands and growing up as a stranger in a strange land, told with an artistry that recalls Hou Hsiao-Hsien at his best. Based on Ryunosuke Akutagawa’s short story of the same title (1922), Kawaguchi’s film moves the original early 20th-century Izu Peninsula to present-day Taiwan, where the strength of family ties is singularly put to the test. Yumiko (Machiko Ono), who married against her parents' wishes, has struggled on in stubborn determination since her husband’s death, moving her family from their Tokyo home to the verdant, rural Taiwan village of her in-laws. Her son Atsushi, strongly conscious that in ethnocentric Japan he is "different," is in a state of rebellion against both the society in which he has grown up and his mother. In their new home the family rediscovers the bonds that unite it.

Colorrblind girl A-Kuei feels alienated and misunderstood. She is raised by her grandmother who would rather believe she is possessed than hear her feelings. The only person in the village who understands her is her bookworm cousin A-Hsien. He tells her that there is an island far away in the South Pacific where everyone is also colorblind due to a genetic mutation.

A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

The beautiful Vicky drifts through her empty life in the neon-lit Taipei, maintaining a pointless relationship with her loser DJ boyfriend, Hao-Hao, and an unsatisfying career as a nightclub hostess. As her romance becomes increasingly strained, she decides to take up with Jack, a caring but criminally connected businessman. But this new relationship can't change Vicky's aimless nature, and her future remains as doubtful as ever.

Women struggle in a Shanghai brothel where everything only appears to be beautiful.

Women struggle in a Shanghai brothel where everything only appears to be beautiful.

In this portrait of small-time hoods rendered in rhythm-of-life anecdotal detail, Gao is the leader of a circle of layabouts including his sidekick, Flathead, and their girlfriends, Pretzel and Ling. He is also the originator of petty crime schemes, which promise to get the gang nowhere fast.

An actress preparing to play in a historical epic is terrorized by someone faxing her pages from her stolen diary; has colorful flashbacks of her affair with a now-deceased man; and imagines black-and-white film-within-a-film scenes of the movie she is about to appear in.