Sonia Bergamasco

An actor past his prime gives drama lessons to prisoners in an attempt to stage "Waiting for Godot."

In Rome, the Cassamortari are people who work in the funeral business. The Pasti family's agency was founded by Giuseppe, who is willing to do anything to turn a corpse into money, preferably in black.

In a stirring blend of archival footage, fictional recreations, interviews, and animation, the film delves into the story of Italy’s ‘Unknown Soldier’. November 4, 2021, in fact, is the hundredth anniversary of the burial of the Unknown Soldier in the Altare della Patria in Rome. Thanks to a collaboration with the Ministry of Defense, the Friuli Venezia Giulia Region, the city of Aquileia, and the Istituto Luce Cinecittà, this film reconstructs the events that led up to that event in 1921

Three years after her relationship with Giovanni, Monica is in prison and has to ask his ex for help.

A whirlwind of activity sweeps us into the daily routine at the Archaeological Museum of Naples.

The story of an encounter between a bourgeois man and a poor woman, because their teenage children fall in love.

The actor Gøril Mauseth goes on a 11.000 kilometer travel with the Trans-Siberian to play Anna Karenina in a new language in Leo Tolstoj's Russia, discovering the language, and the reasons Tolstoj wrote what he wrote, changing her forever.

A journey through Italy across a century of popular religious devotion. Ancient and more recent saints, white and black Madonnas, devotional processions... are the expression of a need for the sacred that seems very distant from our way of being, but perhaps is not that distant at all. Today, especially in the South, but with some “isolated” locations in the North, popular faith is still a very real thing, which finds its finest expression in song and in music.

The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.

Checco is 39 and lived his entire life with his parents. He loves his job where he does nothing the whole day, until something happens that will change his behavior and his life forever...

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.

Maledimiele tells the story of Sara, a teenage girl who sinks – slowly but inevitably – into the abyss of anorexia.

Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.

Born in a village in Sudan, kidnapped by slavers, often beaten and abused, and later sold to Federico Marin, a Venetian merchant, Bakhita then came to Italy and became the nanny servant of Federico's daughter, Aurora, who had lost her mother at birth. She is treated as an outcast by the peasants and the other servants due to her black skin and African background, but Bakhita is kind and generous to others. Bakhita gradually comes closer to God with the help of the kind village priest, and embraces the Catholic faith. She requests to join the order of Canossian sisters, but Marin doesn't want to give her up as his servant, treating her almost as his property. This leads to a moving court case that raised an uproar which impacts Bakhita's freedom and ultimate decision to become a nun. Pope John Paul II declared her a saint in the year 2000.

Guido, an acclaimed author, leads an idyllic life with his beautiful wife and teenage daughter. But despite his seemingly perfect existence, Guido's restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor, who is hiding a secret from her past.

Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.

The story of two renowned actors of Fascist cinema, Luisa Ferida and Osvaldo Valenti, who were supporters of the regime until the very end. Accused of collaborationism and torture, they were summarily executed by Partisans during the Liberation.

Elena, a young trainee psychiatrist, dreams of bringing "mad" people back to a normal life; she makes them talk, she provokes and incites them in the hope of finding the distinguishing signs of normality. Fausto is a boy judged "mad", who has been hospitalized against his will several times, an extrovert musician, he shows clear signs of normality.

Spanning nearly four decades, this generational epic follows two Italian brothers from a middle-class family through some of the most significant events of postwar Italian history after their life paths diverge thanks to one fateful encounter during the summer of 1966.

An inexperienced journalist tries to discover who murdered her friend.

On the occasion of the bicentenary of the birth, Carmelo Bene returns to the verses of the poet from Recanati. In this film the most beautiful poems by Giacomo Leopardi (La Ginestra, Il Canto Notturno, Le Ricordanze, A Silvia, L'Infinito ...), but also some passages from the Moral Operettas, as well as the unfinished Project for a hymn at Ahrimane, follow one another with deep and moving simplicity, with a quiet immediacy that causes the void of every other voice: therefore the listenere is ensnared in the pauses, bewitched by the unexpected descents of silence. The voice assumes a dark and ancestral tone in which the words seem to find their original nuances.