Alfredo Bini

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

During a war between heathens and Christians, love blossoms between crusader Bradamante—a female knight wearing an invincible suit of armor—and Moorish prince Ruggero. A sorceress predicts to Bradamante that her beloved will die in battle at the hand of a fellow Christian paladin, Rolando, who in turn is in love with Moorish princess Isabella, Ruggero's sister.

In the desert paradise of pleasure and pain, a glamourous fashion model and a free-spirited beauty surrender themselves to complete sexual ecstasy. But will an unhinged holy man now lead these new lovers - as well as their friends and even family members - into the most shockingly immoral acts imaginable?

The Survivors of the Bounty

The master, telling a lot of love or erotic oriental tales, teaches the secrets of the most natural, complete and satisfactory copulation.

Five unrelated tales: (1) "The Ravishing Queen" / "La Reina Bella", in which the queen choses a king by devious endurance tests of the pretendants; (2) "The Punished Lovers", in which a fake blind husband is 'cured' after having the culprits banished from the tribe; (3) "The Old Prostitute" who manages to take revenge from all the village dignitaries who wrongfully condemned her brother; (4) "The Endless Search" that does not end until a hunter finds his perfect end-game; (5) "The Crazy Woman" whose illness was not exactly of the mind, but of an (almost) insatiable lust.

A poor laborer, Zilio, wants to marry Betìa, the daughter of a rich peasant woman. After number of refusals Zilio is desperate, but Nale, a young lover, combines a frontal marriage between the two, convinced they can take advantage of it. After the ceremony, however, the legitimate husband stabs Nale who seemingly dies, but actually prepares a joke for the couple.

A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.

Life, career and death of the two protagonists of American life sixties, John and Robert Kennedy, from the days of their ascent to the White House, the first as president, the second as a minister of justice, to the death.

26 year old Silvia has it all, but is still discontent, and daydreams about BDSM sex. When her husband is away on a business trip, she goes to a castle outside Rome to work as a secretary. Here she is turned into a slave.

An adaptation of Petronius' satire about the decadent life in ancient Rome. "If you like the Fellini version, you should definitely see this one, too. It's every bit as good and in some ways better."

A Frenchman finds his runaway wife on an island in the Pacific.

A former counterrevolutionary pirate befriends a mentally ill young woman and this in turn leads to tragedy when she falls in love with a French naval officer.

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road...

A historian goes to a castle library to translate some ancient erotic literature. While there he discovers what he believes to be supernatural forces at work.

Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.

A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

A young man hatches a plan to sleep with another man's infertile wife. Based on the play by Machiavelli.

In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.

Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex, apparently their least favorite subject: he asks children if they know where do babies come from, asks old and young women about gender equality, and asks both genders if a woman's virginity still matters, how do they view homosexuals, if sex and honor are related, if divorce should be legal, if they support the recent abolition of brothels, etc. He interviews workers, intellectuals, students, rural farmers, the bourgeoisie, and other different people, painting a vivid portrait of Italy in the years of the Economic Boom, suspended between modernity and tradition.

This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

Stefano is a shy and sensitive teenager who has just completed his studies in Switzerland and is considering becoming a monk. But his father, a rich Milanese publisher, who had the ambition to see his son succeed him, refuses and takes him on a cruise with a young woman to take this idea out of his mind...

Four short films by four different directors dealing with the principles of modern life.

Story of Roberta, a beautiful young woman from a wealthy industrialist family and her relationship with Franco, a rough car mechanic and stranger whom she meets on the beach of Forte dei Marmi.

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

Luca, a petrol dealer, marries a magazine dancer, Ippolita, a girl who likes to be courted by the many passing motorists. One day, the woman discovers that her husband has betrayed her with Adriana. Ippolita decides her revenge: she assures Luke that she will keep her duties as a wife only when she too has allowed herself similar distractions. Through a series of animated events, the two resume married life: but Luca will not be able to know if Ippolita was really unfaithful to him.

Giacinto Rossi, a poor driver up to his neck in debt, is imprisoned for simulated crime. He finds himself in a cell with Tagliabue, an unscrupulous murderer; Sorcio, an elderly thief; and Papaleo, an honor-obsessed intellectual who murdered his fiancée's lover. Giacinto is forced by the three men to make a daring escape from prison.

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man's property. But Ferdinando's nephew Amerigo holds out. Amerigo's stance is weakened when he heads for Florence and meets prostitute Bianca.

Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.

Assola is an imaginary village on the border between Italy and France and the borderline crosses the village itself. The French customs agent Ferdinand is always trying to catch the Italian smuggler Giuseppe. Giuseppe discovers that Ferdinand was actually born in Italy and therefore he can't be a French customs agent.

Marcellino becomes an orphan and finds two uncles--a good old eccentric man and a villain.

Andrea Zaccardi has returned home from hunting. He and his wife Luisa are very close. Their young son Giulio develops a cough. The doctor recommends the seaside. Luisa leaves with Giulio for several weeks. Andrea stays to work at the metal shop.

A destroyer departs from the port of Taranto with orders to take a load of petrol to Tobruk at all costs.

In 19th century southern Italy (near Melfi, Basilicata), a small force of soldiers fight in the hills against the bandits who are holding their country to ransom.